by Charles King ‧ RELEASE DATE: Feb. 28, 2011
A sharp, graceful account of a fascinating place.
A history of the site, from its geological structure to its often fragmented, usually fractious, frequently bloody human occupation.
King (International Affairs and Government/Georgetown Univ.; Extreme Politics: Nationalism, Violence, and the End of Eastern Europe, 2010, etc.), who has written extensively about the region and speaks Russian and Romanian, ably glides through Odessa’s history, geography and geopolitics. The city of Odessa, situated on the Black Sea’s northwestern coast and currently in the hands of Ukraine, was founded in 1794, near Khadjibey, a village of uncertain origins. It began as the ambitious plan of José Pascual Domingo de Ribas y Boyons, who convinced Catherine the Great that the site could become “the jewel of her new southern possessions.” Though Catherine died shortly after approving the start of construction, the project kept moving. King highlights the stories of numerous significant individuals whose biographies link to Odessa’s. Alexander I appointed Richelieu as city administrator in 1803, and he distinguished himself as a battler against the plague, which continually visited this port city. Pushkin lived and wrote in Odessa. The Charge of the Light Brigade was about 500 miles east along the shore. Isaac Babel, whom King labels “Odessa’s greatest writer,” wrote about the city. Sergei Eisenstein filmed his 1925 classic Battleship Potemkin there, with its classic scene on the Odessa Steps (King notes how little of the film is accurate). The author also carefully follows the fate of the city during the mid-20th-century’s turmoils—control shifted from Soviet to Romanian/German to Soviet to Ukrainian. No history of the city could be complete without an accounting of the vicious, murderous treatment of its Jewish population, a subject King handles well, allowing horrific statistics and wrenching individual human stories to carry the grim message. The author observes that the city today seems more interested in fanciful mythology than in historical memory.
A sharp, graceful account of a fascinating place.Pub Date: Feb. 28, 2011
ISBN: 978-0-393-07084-2
Page Count: 352
Publisher: Norton
Review Posted Online: Oct. 18, 2010
Kirkus Reviews Issue: Nov. 15, 2010
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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