Perhaps the most successful of the frontier outlaws, Cassidy receives an entertaining and likely definitive account.
A lively, necessarily speculative biography of the notorious desperado.
Journalist Leerhsen, former executive editor of Sports Illustrated, correctly points out that while the hit 1969 movie Butch Cassidy and the Sundance Kid, starring Paul Newman and Robert Redford, made Butch Cassidy’s (1866-1908) name familiar to most readers, Cassidy and his circle did not often put pen to paper, so contemporary evidence consists largely of legal documents, police reports, and newspaper accounts of his crimes. Modern biographers often fill the gaps with fiction, personal theories, or highly suspicious memories from Cassidy’s descendants, and movies muddy the water with a romantic portrait of life on the frontier when in fact it was usually miserable. The eldest of 13 children of a hardscrabble rancher, Cassidy had his first brush with the law at age 12, and he left home permanently just before he turned 18 to take up a life of crime. “Crime” on the frontier mostly involved stealing cattle or horses; it was rarely lucrative, and Cassidy regularly worked as a ranch hand to make ends meet. After years of low-paid labor, petty thievery, a prison term, and companions with similar loose morals, added to a talent for leadership, he took up a full-time life of crime, and newspapers happily recorded a series of spectacular bank and train robberies. This spree lasted only a few years before advancing technology and the end of the frontier made this life too risky. No psychopath like Billy the Kid or Jesse James, Leerhsen’s Cassidy is likable and mostly sensible. He escaped to Argentina in 1901 with considerable cash and a companion (the Sundance Kid, a more shadowy figure). For several years, they apparently worked as honest ranchers but returned to robbery in 1905, when they “dropped any pretense of being law-abiding citizens.” They moved to Chile and Bolivia, where, cornered by soldiers in 1908, they probably committed suicide, an event absent from the movie.
Perhaps the most successful of the frontier outlaws, Cassidy receives an entertaining and likely definitive account.Pub Date: July 14, 2020
ISBN: 978-1-5011-1748-0
Page Count: 304
Publisher: Simon & Schuster
Review Posted Online: April 21, 2020
Kirkus Reviews Issue: May 15, 2020
BOOK TO SCREEN
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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