First published in Great Britain in 1992, The Reckoning brilliantly re-creates the dark underworld of Elizabethan spies and conspiracies that enmeshed the 29-year-old poet/playwright Christopher Marlowe, who was stabbed through the eye allegedly as a result of in a brawl over his bill at Widow Bull's house in Deptford. Charles Nicholl is less interested in the poet's texts than in ``the reports of snoops and spies, in Privy Council papers and criminal charge-sheets.... This all happened a long time ago, but I believe it was a case of murder.... We can dig away some of the lies, and perhaps find beneath them a faint preserved outline where the truth once lay.'' Marlowe (1564-93) was killed after spending a day at Bull's with three nasty gents: Ingram Frizer, a crafty loan shark who did the actual stabbing and was acquitted for it; Frizer's dupe, Nicholas Skeres, who seems to have been a government intelligence agent in the pay of the Earl of Essex; and Robert Poley, a sinister, complex double-dealer, informer, agent provocateur and rumored poisoner, called by some ``the very genius of the Elizabethan underworld.'' Nicholl takes as a red herring an imputation by informer Richard Baines that Marlowe was gay, adding that we ``do not know what it meant to be gay in Elizabethan England.'' Baines also accused Marlowe of counterfeiting, of spreading heresies, atheism, and the slander that Christ was a sodomite with St. John, adding that Marlowe—a danger to Christianity—should have his mouth stopped. And Marlowe's dying of plague—another red herring? After carrying us through factions, fictions, and knaveries, Nicholl gives his vision of the murder. The vision is swathed in gauze and sultry with wine, but it sounds plausible and addresses the dark political context leading back to Her Majesty's Privy Council. A fine job of research that could quash forever the myth that Marlowe died in a ``tavern brawl.''
Pub Date: March 1, 1994
ISBN: 0-15-175981-2
Page Count: 432
Publisher: Harcourt
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 1, 1994
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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