Amid the barrel full of Puss’ digital appearances, this one falls toward the bottom.
An undistinguished edition of the familiar tale, pairing a standard, lightly edited 19th-century text to a scanty assortment of grainy public-domain pictures.
Toned down—the cat doesn’t kill but only captures the prey he presents to the king; the ogre-turned-mouse skittering about the screen vanishes instantly with a touch and a "Thank You"—and slightly shortened, the story comes with small illustrations (on most but not all screens) that will display minor animations or size changes in response to a touch or noise. These are keyed by instructions like “hold Puss [sic] hand to bring out the rabbit” or “knock the door [sic] according to the Morse code indicated” (said code being an inscrutable “S • • •”). There is no audio narration, and the unidentified recording of the “1812 Overture” that serves as background music throughout switches suddenly for the final wedding scene to a funky percussive beat. Page turns are triggered by pulling the whiskers of a cat at the top of each page, which is a nice touch.
Amid the barrel full of Puss’ digital appearances, this one falls toward the bottom. (iPad storybook app. 7-9)Pub Date: Nov. 29, 2011
ISBN: N/A
Page Count: -
Publisher: Hex Studio
Review Posted Online: Dec. 19, 2011
Kirkus Reviews Issue: Feb. 1, 2012
What a wag.
What do you get from sewing the head of a smart dog onto the body of a tough police officer? A new superhero from the incorrigible creator of Captain Underpants.
Finding a stack of old Dog Mancomics that got them in trouble back in first grade, George and Harold decide to craft a set of new(ish) adventures with (more or less) improved art and spelling. These begin with an origin tale (“A Hero Is Unleashed”), go on to a fiendish attempt to replace the chief of police with a “Robo Chief” and then a temporarily successful scheme to make everyone stupid by erasing all the words from every book (“Book ’Em, Dog Man”), and finish off with a sort of attempted alien invasion evocatively titled “Weenie Wars: The Franks Awaken.” In each, Dog Man squares off against baddies (including superinventor/archnemesis Petey the cat) and saves the day with a clever notion. With occasional pauses for Flip-O-Rama featurettes, the tales are all framed in brightly colored sequential panels with hand-lettered dialogue (“How do you feel, old friend?” “Ruff!”) and narrative. The figures are studiously diverse, with police officers of both genders on view and George, the chief, and several other members of the supporting cast colored in various shades of brown. Pilkey closes as customary with drawing exercises, plus a promise that the canine crusader will be further unleashed in a sequel.
What a wag. (Graphic fantasy. 7-9)Pub Date: Aug. 30, 2016
ISBN: 978-0-545-58160-8
Page Count: 240
Publisher: Graphix/Scholastic
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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SEEN & HEARD
BOOK TO SCREEN
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It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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