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SHALLCROSS

THE UNDERWATER PANTHERS

From the Hearing Voices Series series

An undeniably unique metaphysical adventure.

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The latest installment in Porter’s series continues the adventures of a schizophrenic man who, along with a group of misfit friends, embarks on missions of environmental activism.

In Florida, 2002, Aubrey Shallcross and company have scuttled an old tugboat in front of the St. Lucie Locks, making the lock system temporarily inoperable to prevent the “dirty water” from Lake Okeechobee from contaminating pristine estuaries. Fearing capture after their daring deed, the 58-year-old Shallcross takes his family and friends—some of whom are “voice hearers” like himself—to the coast of Massachusetts for the summer to stay at an old friend’s farm. The eclectic group includes a wild array of characters: Yuchee, a teenage Seminole boy whose mother has recently died; two giant alligators and their “slippers” (spirits of the dead that can inhabit the brains of animals and humans); Aubrey’s 14-year-old son, Drayton; Half Track, an autistic man; Speedy, a motorcycle stuntman, and his wife, Roberta, “the Woman With No Legs,” who charms snakes; and A. M. Sermon, a former land developer turned eco-warrior, who travels with his best friend, a giant chimpanzee named Kong. Once there, the group becomes entangled in another looming environmental crisis: Criminals plan to steal a recently orphaned baby humpback whale with albinism in an attempt to sell it on the black market. This fast-paced and intricately plotted storyline, involving the crooked captain of a Russian fishing fleet named Sean Iponovitch, is where the author really shows his storytelling chops. As Iponovitch schemes between alcoholic binges, Porter weaves Moby Dick references throughout to add a literary thread to the narrative tapestry. This literary aspect is strengthened by the almost Kerouacian travelogue passages following the characters’ travels up and down the East Coast: “They crossed the southeast Georgia tidal rivers with green-brown wire grass islands out in the middle, until it was over the Savannah River into the state of South Carolina.”

Themes from Kerouac’s On the Road are evident throughout, including the search for meaning in life, the glorious pursuit of freedom, and finding profound significance in the connections between people and places. The author leavens the road novel experience with humor in places; Aubrey calls food purchased from gas stations and roadside convenience stores “shit cakes” (but after his son buys an assortment of junk food, Aubrey says, “Give me one a those Moon Pies, Drayton.” While the cast of over-the-top characters is well-developed and the storyline involving the white whale is certainly entertaining (especially the stand-up-and-applaud plot twist at novel’s end), it’s the way in which the author explores living with schizophrenia (specifically hearing voices) that makes this story unique. The perception of schizophrenia as an affliction is turned on its head: “…that’s what makes you different than a lot of other people, Aubrey. You can look at and hear your subconscious, you are a bloody schizophrenic; a beautifully perfected schizophrenic.” The narrative is complemented by dozens of illustrations throughout that exemplify the strange and wondrous tone of the story perfectly.

An undeniably unique metaphysical adventure.

Pub Date: Jan. 8, 2024

ISBN: 9780989425681

Page Count: 288

Publisher: Self

Review Posted Online: Oct. 2, 2023

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DEAD BEAT

From the Ninth House series , Vol. 3

Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.

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A dark fantasy set on the Yale campus ends with a bang.

Galaxy “Alex” Stern of Lethe House, one of Yale’s storied secret societies, has been to hell and back. That was in Hell Bent (2023), the middle book in Bardugo’s Ninth House trilogy, where the secret societies wield not just temporal power but magic as well. Hell Bent ended with Alex and her friends rescuing her crush, mentor, and fellow Lethe officer, Daniel “Darlington” Arlington V, from eternal torment. One small wrinkle: The demon Golgarot used Alex’s blood to wedge a door open between Hell and New Haven, and his minions are slipping through. Also, one of the group has turned into a vampire, and Darlington is now half demon. “He’d given up some part of himself to preserve the rest of his human soul. He’d become both prisoner and warden.” As the final book opens, the exhausted crew are hunting yet another monster. They can’t keep this up forever; they will have to find a way to close the portal. Alex has the energetic, driven melancholy of the hard-boiled, dark fantasy heroine she is. She believes “magic is real, but safe is make-believe,” as her roommate puts it. An open hellmouth, a supportive scholar, a vampire whose story arcs precariously toward redemption, a gentleman fiend who gets literally horny when aroused, a California girl with rare supernatural powers who cracks wise as she fights fiends—the series has a lot in common with Buffy the Vampire Slayer and its spawn, but Bardugo’s way with words and her keen social observation keep the book from feeling derivative. A demon’s classic New England house is decorated with “ruthlessly inoffensive watercolor seascapes”; Lethe’s board president “wore the new uniform of Wall Street: a dress shirt, khakis, and a fleece with a Yale Y embroidered over the heart, as if he were on his way to a hostile takeover followed by some light rock climbing.” Will Alex and her friends get the door shut without losing Darlington? Bardugo injects her protagonist with such a convincing mix of cynicism and hope that failure seems like a distinct possibility.

Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.

Pub Date: Sept. 15, 2026

ISBN: 9781250884312

Page Count: 496

Publisher: Flatiron Books

Review Posted Online: Sept. 15, 2026

Kirkus Reviews Issue: Nov. 1, 2026

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HOLLOW BONES

The queen of social activist novels has done it again. Impressive, important, and fun to read.

The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.

“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in Septem­ber, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fif­teen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.

The queen of social activist novels has done it again. Impressive, important, and fun to read.

Pub Date: Sept. 15, 2026

ISBN: 9780593726259

Page Count: 464

Publisher: Ballantine

Review Posted Online: June 15, 2026

Kirkus Reviews Issue: July 15, 2026

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