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SHALLCROSS

THE UNDERWATER PANTHERS

From the Hearing Voices Series series

An undeniably unique metaphysical adventure.

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The latest installment in Porter’s series continues the adventures of a schizophrenic man who, along with a group of misfit friends, embarks on missions of environmental activism.

In Florida, 2002, Aubrey Shallcross and company have scuttled an old tugboat in front of the St. Lucie Locks, making the lock system temporarily inoperable to prevent the “dirty water” from Lake Okeechobee from contaminating pristine estuaries. Fearing capture after their daring deed, the 58-year-old Shallcross takes his family and friends—some of whom are “voice hearers” like himself—to the coast of Massachusetts for the summer to stay at an old friend’s farm. The eclectic group includes a wild array of characters: Yuchee, a teenage Seminole boy whose mother has recently died; two giant alligators and their “slippers” (spirits of the dead that can inhabit the brains of animals and humans); Aubrey’s 14-year-old son, Drayton; Half Track, an autistic man; Speedy, a motorcycle stuntman, and his wife, Roberta, “the Woman With No Legs,” who charms snakes; and A. M. Sermon, a former land developer turned eco-warrior, who travels with his best friend, a giant chimpanzee named Kong. Once there, the group becomes entangled in another looming environmental crisis: Criminals plan to steal a recently orphaned baby humpback whale with albinism in an attempt to sell it on the black market. This fast-paced and intricately plotted storyline, involving the crooked captain of a Russian fishing fleet named Sean Iponovitch, is where the author really shows his storytelling chops. As Iponovitch schemes between alcoholic binges, Porter weaves Moby Dick references throughout to add a literary thread to the narrative tapestry. This literary aspect is strengthened by the almost Kerouacian travelogue passages following the characters’ travels up and down the East Coast: “They crossed the southeast Georgia tidal rivers with green-brown wire grass islands out in the middle, until it was over the Savannah River into the state of South Carolina.”

Themes from Kerouac’s On the Road are evident throughout, including the search for meaning in life, the glorious pursuit of freedom, and finding profound significance in the connections between people and places. The author leavens the road novel experience with humor in places; Aubrey calls food purchased from gas stations and roadside convenience stores “shit cakes” (but after his son buys an assortment of junk food, Aubrey says, “Give me one a those Moon Pies, Drayton.” While the cast of over-the-top characters is well-developed and the storyline involving the white whale is certainly entertaining (especially the stand-up-and-applaud plot twist at novel’s end), it’s the way in which the author explores living with schizophrenia (specifically hearing voices) that makes this story unique. The perception of schizophrenia as an affliction is turned on its head: “…that’s what makes you different than a lot of other people, Aubrey. You can look at and hear your subconscious, you are a bloody schizophrenic; a beautifully perfected schizophrenic.” The narrative is complemented by dozens of illustrations throughout that exemplify the strange and wondrous tone of the story perfectly.

An undeniably unique metaphysical adventure.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Self

Review Posted Online: Oct. 2, 2023

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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HALF HIS AGE

A debut novel with bright spots, but unbalanced and lacking in finesse.

A high school senior pursues an affair with her teacher.

Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.

A debut novel with bright spots, but unbalanced and lacking in finesse.

Pub Date: Jan. 20, 2026

ISBN: 9780593723739

Page Count: 288

Publisher: Ballantine

Review Posted Online: Nov. 22, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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