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SHALLCROSS

THE UNDERWATER PANTHERS

An undeniably unique metaphysical adventure.

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The latest installment in Porter’s series continues the adventures of a schizophrenic man who, along with a group of misfit friends, embarks on missions of environmental activism.

In Florida, 2002, Aubrey Shallcross and company have scuttled an old tugboat in front of the St. Lucie Locks, making the lock system temporarily inoperable to prevent the “dirty water” from Lake Okeechobee from contaminating pristine estuaries. Fearing capture after their daring deed, the 58-year-old Shallcross takes his family and friends—some of whom are “voice hearers” like himself—to the coast of Massachusetts for the summer to stay at an old friend’s farm. The eclectic group includes a wild array of characters: Yuchee, a teenage Seminole boy whose mother has recently died; two giant alligators and their “slippers” (spirits of the dead that can inhabit the brains of animals and humans); Aubrey’s 14-year-old son, Drayton; Half Track, an autistic man; Speedy, a motorcycle stuntman, and his wife, Roberta, “the Woman With No Legs,” who charms snakes; and A. M. Sermon, a former land developer turned eco-warrior, who travels with his best friend, a giant chimpanzee named Kong. Once there, the group becomes entangled in another looming environmental crisis: Criminals plan to steal a recently orphaned baby humpback whale with albinism in an attempt to sell it on the black market. This fast-paced and intricately plotted storyline, involving the crooked captain of a Russian fishing fleet named Sean Iponovitch, is where the author really shows his storytelling chops. As Iponovitch schemes between alcoholic binges, Porter weaves Moby Dick references throughout to add a literary thread to the narrative tapestry. This literary aspect is strengthened by the almost Kerouacian travelogue passages following the characters’ travels up and down the East Coast: “They crossed the southeast Georgia tidal rivers with green-brown wire grass islands out in the middle, until it was over the Savannah River into the state of South Carolina.”

Themes from Kerouac’s On the Road are evident throughout, including the search for meaning in life, the glorious pursuit of freedom, and finding profound significance in the connections between people and places. The author leavens the road novel experience with humor in places; Aubrey calls food purchased from gas stations and roadside convenience stores “shit cakes” (but after his son buys an assortment of junk food, Aubrey says, “Give me one a those Moon Pies, Drayton.” While the cast of over-the-top characters is well-developed and the storyline involving the white whale is certainly entertaining (especially the stand-up-and-applaud plot twist at novel’s end), it’s the way in which the author explores living with schizophrenia (specifically hearing voices) that makes this story unique. The perception of schizophrenia as an affliction is turned on its head: “…that’s what makes you different than a lot of other people, Aubrey. You can look at and hear your subconscious, you are a bloody schizophrenic; a beautifully perfected schizophrenic.” The narrative is complemented by dozens of illustrations throughout that exemplify the strange and wondrous tone of the story perfectly.

An undeniably unique metaphysical adventure.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Self

Review Posted Online: Oct. 2, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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