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I AM THE CHANGE

BARACK OBAMA AND THE CRISIS OF LIBERALISM

Will provide argumentative intellectual ammunition for conservative book-buyers dissatisfied with the last four years.

A conservative scholar argues that Barack Obama’s presidency represents the hidden decline of liberalism.

Avoiding the vitriol of many right-wing critiques, Kesler (Government/Claremont McKenna Coll.) regards Obama as a figure who will transform liberalism terminally, by calling most of its assumptions into question. Much of his critique seems semantic in nature: referring to “the famous monosyllables, hope and change,” he acidly asserts, “judging by his record as president they are likely to remain his most renowned utterances.” However, much of the narrative looks away from the current political landscape and at the presidencies of Woodrow Wilson (“a genuine democrat who kept his leadership theory firmly grounded in Progressive democracy”), Franklin Roosevelt (“Never one to let an emergency go to waste”), and Lyndon Johnson (“The Great Society…ended with a bang, followed by the long whimper of white liberal guilt”). Kesler peruses their historical narratives and political philosophies for some clue as to how these ambitious individuals’ idealism could lead to his nightmare vision of Obama as steward of a vast, grasping and nonfunctioning government. Regarding Obama himself, the author attempts nuance in his harsh assessment. “As Obama’s grappling shows,” he writes, “intelligent and morally sensitive liberals may try to suppress or internalize the problem of relativism but it cannot be ignored or forgotten.” Kesler adeptly wields secondary sources as well as Obama’s own books and speeches (and those of the earlier presidents), but his own key assertions can be less comprehensible: “Avant-garde liberalism used to be about progress; now it’s about nothingness.” The author is undoubtedly erudite, but he seems to subscribe, cynically, to the post-1960s conservative view of progressive accomplishments as merely a sort of incomprehensible outgrowth of white guilt and to see no value in the presence of the post-1930s social safety net.

Will provide argumentative intellectual ammunition for conservative book-buyers dissatisfied with the last four years.

Pub Date: Sept. 11, 2012

ISBN: 978-0-06-207296-2

Page Count: 304

Publisher: Broadside Books/HarperCollins

Review Posted Online: July 29, 2012

Kirkus Reviews Issue: Aug. 15, 2012

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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