Well-intentioned and superficially attractive, this celebration of children and culture ultimately fails to educate or...
Once again, Smith offers appealing portraits of children in an effort to express the value of diversity (My People, by Langston Hughes, 2009, etc.).
Unfortunately the photographs are of varying quality, the brief text is often banal and repetitive, and some design choices obscure the artwork. Each picture, whether on a single page or double-page spread is captioned with a sentence that begins “I am....” In some cases, the words that follow are evocative and the images compelling: “I am the thread in kente cloth” accompanies a photo of a young, black woman gazing unsmiling into the camera. In others, the words chosen seem odd or inconsequential. Two of the weakest descriptions, “I am the snap in biscotti” and “I am the tradition in pierogi,” fail to effectively convey anything about the cultures they are meant to represent, and the playful, obviously posed photos wind up looking peculiar. On most pages, crisp, clear, white letters stand out against the black background with some words, usually one per page, printed in color to add visual interest. On a few pages, however, words printed across the faces of the children are distracting and difficult to read. Finally, while the appended glossary does offer basic definitions of the words and phrases used, it fails to effectively explain their pronunciation.
Well-intentioned and superficially attractive, this celebration of children and culture ultimately fails to educate or entertain. (glossary) (Picture book. 4-7)Pub Date: July 9, 2013
ISBN: 978-1-4424-2302-2
Page Count: 48
Publisher: Atheneum
Review Posted Online: May 7, 2013
Kirkus Reviews Issue: June 1, 2013
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
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