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THE SHADOW OF GOD

A JOURNEY THROUGH MEMORY, ART, AND FAITH

Many knowledgeable comments about art, music and publishing intertwined with religious commentary of the sort one expects...

A journal kept by the scion of the famed publishing family records memories of his coming of age, his youthful conversion to Roman Catholicism and his evolving thoughts on family, art, music, literature and God.

Every spiritual journey that the profoundly religious Scribner documented in 2002 is familiar, conventional even, with few surprises and no epiphanies—though he sees the latter everywhere, just as he sees the hand of God in every coincidence and the touch of an angel in every kindness. Scribner remarks that he believes religion can lead a person to art just as art can lead a person to religion, and both art and music are prominent in many of his entries. Others are autobiographical shards that eventually combine to form a memoir of privilege that ends shortly after he earns his Ph.D. from Princeton and goes to work as an editor at the family’s eponymous publishing house. The author appears to believe in the literal truth of the Gospels, though he is troubled by certain violent aspects of the Old Testament. Twice he expresses great discomfort with Abraham’s willingness to sacrifice Isaac; he prefers to view it as Abraham’s misunderstanding of God’s intent. Likewise, he informs us that he doesn’t permit Scribner authors to refer to Hemingway’s death as a suicide, for that is a mortal sin, and surely pious Papa is not roasting in Hell. One of Scribner’s epiphanies is decidedly odd: “Rocks don’t change: they are the constant touchstone of time.” (Geology, we must conclude, has it wrong.) On Christmas night he has another epiphany: Less is more. The next day, he’s on a plane to Florida. We can only hope that, true to the revelation, he’s downgraded his accommodations to coach.

Many knowledgeable comments about art, music and publishing intertwined with religious commentary of the sort one expects from the spiritual-journey genre.

Pub Date: April 18, 2006

ISBN: 0-385-51658-4

Page Count: 256

Publisher: Doubleday

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Feb. 1, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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