A delightful, informative guide to an often-intimidating subject.
How to analyze “the numbers behind the news [and appreciate] the extraordinary (and growing) power of data” in today’s market-driven economy.
Wheelan (Public Policy/Dartmouth Coll.; 10½ Things No Commencement Speaker Has Ever Said, 2012 etc.) extends the scope of his 2002 best-seller, Naked Economics, to encompass the statistical know-how necessary in making informed economic and other decisions. The author provides tools to help the nonmathematical reader develop an intuitive grasp of apparently arcane topics such as the “central limit theorem,” which is used to estimate likely outcomes. Using forensic medicine as an analogy, he compares a statistician to a detective gathering information at the scene of a crime. Both are frequently involved in “building a circumstantial case based on imperfect data” and are dependent on sampling techniques. Wheelan uses a seemingly high-risk marketing campaign by Schlitz beer to illustrate the point. In 1981, the company spent $1.7 million to run a blind taste test between Schlitz and Michelob, involving 100 contestants. In fact, as Wheelan shows, it was a sure winner. While the likely outcome of a random sample would be a 50/50 split, any percentage could be framed to Schlitz's advantage. The key was in the sample. Contestants were selected on the basis of their previously expressed preference for Michelob, so that even if only 30 percent chose Schlitz, the claim that Michelob drinkers chose Schlitz was still valid. The author explains how the normal distribution works and emphasizes the importance of measuring both the mean and medium in a given study. Wheelan also explains the famous brain-teasing Monty Hall problem, which has stumped experts for years.
A delightful, informative guide to an often-intimidating subject.Pub Date: Jan. 7, 2013
ISBN: 978-0-393-07195-5
Page Count: 320
Publisher: Norton
Review Posted Online: Oct. 3, 2012
Kirkus Reviews Issue: Nov. 1, 2012
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
