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HEROIN

AND OTHER POEMS

These poems take aim at such wisdom and several hit their mark.

In the title poem here, Smith (Before and After, 1995) reaffirms the ancient equation of drugs and love, and casts an old suspicion on both. In Smith’s world, passion always does dwindle, and most of these poems are written in the low tide of love, when ecstasy has given way to disenchantment and self-accusation. Smith’s portrait of what he calls his “derelict morbid unforgivable self” is always unsparing, but he summons a saving humor and observes the fall out of romance from a wry distance: “She’s gone away for good, but I can’t get over it. / I record my voice saying her name, then mimic her / saying I love you. It gets no better.” At other moments, self-recrimination threatens to become indistinguishable from hysteria or narcissism: “I raged / through the house, explained to the open refrigerator how misused I was, / wept into my hands, puked . . . / listened to whatever song / said the world was an impossible place.” That the refrigerator should be “open” is worth a smile, but here Smith’s extravagance comes close to caricature—the jilted lover who blames the beloved, or simply “the world,” for faults he knows to be his own—and his confessions shade into clichés. More often, however, Smith is a clear-eyed and world-weary champion of the emotional life: “The young men walk down the roads singing stupid songs / & making promises they’ll never keep, & this is familiar. / Love watches itself go to pieces in someone’s backyard, / and later we admit we have no explanation for how things turned out.” To recognize that you have run out of explanations takes a certain courage, to admit as much is a gesture toward wisdom.

These poems take aim at such wisdom and several hit their mark.

Pub Date: Sept. 1, 2000

ISBN: 0-393-04997-3

Page Count: 104

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2000

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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