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I MISS YOU MOST

Warm and heartfelt.

A child learns to cope with loss.

In rhyming text, a young narrator yearns for a recently departed grandparent, whose absence is felt in small, day-to-day moments: “I miss you most at dinner / when seafood stew is served. // I miss you in the ocean waves / that crash and splash and swerve.” Dark, muted colors and empty spaces emphasize the child’s grief and loneliness on each two-page spread. In time, with support from the rest of the family, the protagonist focuses on ways to remember the grandparent: “I see you in the mirror / through the sparkle of my smile.” “You’re with me in the twists and turns / of stories that I write.” “But most of all I feel you / in each kindness I return.” Gradually, the child finds comfort in cherished memories; clearly, this beloved grandparent has helped shape the young narrator’s life—and continues to do so. Cheng and Yan make an impressive team. Cheng’s lyrical text creates sensory snapshots that add richness and depth to this intergenerational bond, bolstered by Yan’s beautiful, softly textured digital illustrations, which make effective use of color to capture the protagonist’s feelings. Together, their storytelling packs a powerful emotional punch. The family at the center of this story is cued as Chinese.

Warm and heartfelt. (Picture book. 4-8)

Pub Date: Aug. 27, 2024

ISBN: 9780593532997

Page Count: 40

Publisher: Rocky Pond Books/Penguin

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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THE HUMBLE PIE

From the Food Group series

A flavorful call to action sure to spur young introverts.

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In this latest slice in the Food Group series, Humble Pie learns to stand up to a busy friend who’s taking advantage of his pal’s hard work on the sidelines.

Jake the Cake and Humble Pie are good friends. Where Pie is content to toil in the background, Jake happily shines in the spotlight. Alert readers will notice that Pie’s always right there, too, getting A-pluses and skiing expertly just behind—while also doing the support work that keeps every school and social project humming. “Fact: Nobody notices pie when there’s cake nearby!” When the two friends pair up for a science project, things begin well. But when the overcommitted Jake makes excuse after excuse, showing up late or not at all, a panicked Pie realizes that they won’t finish in time. When Jake finally shows up on the night before the project’s due, Pie courageously confronts him. “And for once, I wasn’t going to sugarcoat it.” The friends talk it out and collaborate through the night for the project’s successful presentation in class the next day. John and Oswald’s winning recipe—plentiful puns and delightful visual jokes—has yielded another treat here. The narration does skew didactic as it wraps up: “There’s nothing wrong with having a tough conversation, asking for help, or making sure you’re being treated fairly.” But it’s all good fun, in service of some gentle lessons about social-emotional development.

A flavorful call to action sure to spur young introverts. (Picture book. 4-8)

Pub Date: Nov. 4, 2025

ISBN: 9780063469730

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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