Readers won’t want to leave behind the imagined world of pain and beauty that McConaghy has conjured.
The reality of climate change serves as the pervasive context for this terrific thriller set on a remote island between Australia and Antarctica.
Four family members and one stranger are trapped on an island with no means of communication—what could go wrong? The setup may sound like a mix of Agatha Christie and The Swiss Family Robinson, but Australian author McConaghy is not aiming for a cozy read. Shearwater Island—loosely based on Macquarie Island, a World Heritage Site—is a research station where scientists have been studying environmental change. For eight years, widowed Dominic Salt has been the island’s caretaker, raising his three children in a paradise of abundant wildlife. But Shearwater is receding under rising seas and will soon disappear. The researchers have recently departed by ship, and in seven weeks a second ship will pick up Dominic and his kids. Meanwhile, they are packing up the seed vault built by the United Nations in case the world eventually needs “to regrow from scratch the food supply that sustains us.” One day a woman, Rowan, washes ashore unconscious but alive after a storm destroys the small boat on which she was traveling. Why she’s come anywhere near Shearwater is a mystery to Dominic; why the family is alone there is a mystery to her. While Rowan slowly recovers, Dominic’s kids, especially 9-year-old Orly—who never knew his mother—become increasingly attached, and Rowan and Dominic fight their growing mutual attraction. But as dark secrets come to light—along with buried bodies—mutual suspicions also grow. The five characters’ internal narratives reveal private fears, guilts, and hopes, but their difficulty communicating, especially to those they love, puts everyone in peril. While McConaghy keeps readers guessing which suspicions are valid, which are paranoia, and who is culpable for doing what in the face of calamity, the most critical battle turns out to be personal despair versus perseverance. McConaghy writes about both nature and human frailty with eloquent generosity.
Readers won’t want to leave behind the imagined world of pain and beauty that McConaghy has conjured.Pub Date: March 4, 2025
ISBN: 9781250827951
Page Count: 320
Publisher: Flatiron Books
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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