A saccharine bedtime read-aloud about big ideas and the promise in everyone. (Picture book. 3-6)
What’s common among a seed, an egg, a tadpole, a caterpillar, goslings, and you? Each contains the idea of a mature being and the potential all living things possess.
A young, brown-skinned girl holds an apple, and readers are told that hidden inside “is the idea of a tree / wrapped tight / in [a] shiny seed.” The little girl bites into the apple, dropping a seed that could “take root / sprout / shoot up / into the blue.” The story then shows how other living things begin and grow before it shifts back to the little girl. While this middle section reflects similarities between human development and animal growth, phrases such as the “lapping lake” and “over lake and field / through clouds and miles / and days and nights” feel overdone. Additionally, near the story’s end, the celebration of a metaphorical orchard field “with creatures singing, springing, fluttering, winging— / and people laughing, lounging, munching, swinging” also reads as sappy. Primarily a story encouraging children to cultivate their remarkable selves, the book also teaches that “work and [a] long, loooooooong wait” are necessary to grow an idea. Opaque, spring-bright colors in the watercolor, pencil, and gouache illustrations extend to the page’s edge, eliciting the feel of being in the scene, and complement the text’s suggested importance of a human connection with nature.
A saccharine bedtime read-aloud about big ideas and the promise in everyone. (Picture book. 3-6)Pub Date: Feb. 5, 2019
ISBN: 978-1-68119-183-6
Page Count: 40
Publisher: Bloomsbury
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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