Though touted as a child’s “first” poetry collection, Zolotow’s heartwarming seasonal verse charms all ages.
A newly gathered collection of timeless seasonal poems originally published in the 1960s, '70s, and '80s, with all-new illustrations.
At the time of her death in 2013, the legendary Zolotow had written almost as many children’s books as her 98 years. The present collection “celebrating the seasons” pairs 28 of her poems with vibrant mixed-media illustrations by Beeke. With signature clarity and lyricism, Zolotow captures the immensity of change in the natural world. They range from a spring snapshot brief and spare as “Crocus”—“Little crocus / like a cup, / holding all that sunlight up!”—to a more extended reminiscence of the comfort of being held by her mother during a “sleepless” winter’s night: “I remember that night, / with the snow / white, white, white, / and my mother’s arms around me / warm and tight.” Beeke employs color, texture and detail to realize these warm, inviting scenes and brilliantly captures Zolotow’s natural wonders, as in “Beetle,” where she effectively depicts how a Japanese beetle’s wings “glisten / like a small rainbow / in the sun!” with a delightfully iridescent smudge. The book’s only failing is in the sad preponderance of Caucasian children depicted in its pages.
Though touted as a child’s “first” poetry collection, Zolotow’s heartwarming seasonal verse charms all ages. (Picture book/poetry. 4 & up)Pub Date: April 1, 2015
ISBN: 978-1-4926-0168-5
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter.
A love letter to libraries.
A Black child, with hair in two puffballs tied with yellow ribbons, a blue dress with a Peter Pan collar, and black patent leather Mary Janes, helps Grandmother with the housework, then, at Grandmother’s suggestion, heads to the library. The child’s eagerness to go, with two books under an arm and one in their hand, suggests that this is a favorite destination. The books’ wordless covers emphasize their endless possibilities. The protagonist’s description of the library makes clear that they are always free to be themselves there—whether they feel happy or sad, whether they’re reading mysteries or recipes, and whether they feel “quick and smart” or “contained and cautious.” Robinson’s vibrant, carefully composed digital illustrations, with bright colors that invite readers in and textures and patterns in every image, effectively capture the protagonist’s passion for reading and appreciation for a space where they feel accepted regardless of disposition. In her author’s note, Giovanni states that she spent summers visiting her grandmother in Knoxville, Tennessee, where she went to the Carnegie Branch of the Lawson McGhee Library. She expresses gratitude for Mrs. Long, the librarian, who often traveled to the main library to get books that Giovanni could not find in their segregated branch. (This book was reviewed digitally.)
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter. (Picture book. 4-7)Pub Date: Sept. 27, 2022
ISBN: 978-0-358-38765-7
Page Count: 32
Publisher: Versify/HarperCollins
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
An astounding articulation of both what it feels like to be different and how to make peace with it.
A young boy describes how it feels to stutter and how his father’s words see him through “bad speech day[s].”
Lyrical, painfully acute language and absorbing, atmospheric illustrations capture, with startling clarity, this school-age child’s daily struggle with speech. Free verse emulates the pauses of interrupted speech while slowing down the reading, allowing the words to settle. When coupled with powerful metaphors, the effect is gut-wrenching: “The P / in pine tree / grows roots / inside my mouth / and tangles / my tongue.” Dappled paintings inspire empathy as well, with amorphous scenes infused with the uncertainty that defines both the boy’s unpredictable speech and his melancholy. Specificity arrives in the artwork solely at the river, where boy and father go after a particularly bad morning. Scenery comes into focus, and readers feel the boy’s relief in this refuge where he can breathe deeply, be quiet, and think clearly. At this extraordinary book’s center, a double gatefold shows the child wading in shimmering waters, his back to readers, his face toward sunlight. His father pulls his son close and muses that the boy “talk[s] like a river,” choppy in places, churning in others, and smooth beyond. (Father and son both appear White.) Young readers will turn this complex idea over in their minds again and again. The author includes a moving autobiographical essay prompting readers to think even further about speech, sounds, communication, self-esteem, and sympathy.
An astounding articulation of both what it feels like to be different and how to make peace with it. (Picture book. 4-8)Pub Date: Sept. 1, 2020
ISBN: 978-0-8234-4559-2
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
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