An emotional affair toxically intertwines the lives of two families.
After writing a book about Camus, Tessa receives a letter from Charlie, a philosophy professor, and the two begin an intense correspondence. Milton, Tessa’s second husband, also strikes up a friendship with Charlie, but Tessa increasingly finds herself at odds with Charlie’s wife, Wah. Wah is an accomplished lecturer and writer and is also quite devoted to the couple’s 15-year-old adopted daughter, Htet, who was a victim of child trafficking in Malaysia (and about whom she has written a book). This dedication contrasts with Tessa’s more distant approach with her own daughter, Nora. Nine months into the couples’ friendship, Tessa accuses Wah, whom she sees as weak, of being “an insult to womankind,” a blow from which neither couple, nor their friendships, can recover, and which ultimately forces Tessa and Charlie to reckon with the pain their relationship has caused their spouses. Craig has crafted an intense portrayal of an intellectual affair as well as a private competition between two women with perfectly balanced moments of tension and introspection. The relationship between Tessa and Charlie deeply depends on their conversations about Camus and Nietzsche, whom they reference heavily to work through their own attitudes toward each other and the world. Yet as distant and self-assured as Tessa is, Craig never lets her first-person narrator off the hook, as she must acknowledge her own role in the disintegration of every meaningful relationship she has.
Cerebral and tense.