Trying to be fiction using the lever of history, The Good Men ends up as history clouded by invention. These characters...
A somewhat creaky debut true-life historical: part romance, part legal thriller, and a tour of some of the darkest corners of early Christianity.
Pierre Clergue is a confused priest of the 14th century who loves God, but women as much or more. He abuses his position in the town of Mantaillou to engage in a number of clandestine affairs, none quite matching up to his first unrequited love for a woman named Marquise, who has a girl child by Pierre’s brother. This girl goes on to have a relationship with Pierre for virtually her entire life, eventually mothering another girl, whom Pierre begins to lust after when she is only seven. This girl, nicknamed Echo, is an echo in more ways than one: she looks like Marquise. The bad news is that everyone is related. Meanwhile, some pre–Spanish Inquisition inquisitions have begun—all approved by a series of actual popes—and a Dominican friar named Bernard is certain that Pierre is up to no good and becomes obsessed with seeing him burn so as to save him. Pierre once sells out the entire town to save his own self, yet miraculously no one implicates him as a heretic. Still, trouble brews again when Echo becomes pregnant by Pierre: Will the lovers’ true love survive both pregnancy and Inquisition, or will Bernard’s sadistic Christianity win out? The early descriptions of romance are strained—talk of male “members” never stops being clumsily euphemistic—and although things begin moving when people start getting burned at the stake, a continued switching back and forth in time to cover multiple points of view makes for exhaustively repeated information. A tendency to linger over characters’ lives also smacks more of scholarly biography than of character development.
Trying to be fiction using the lever of history, The Good Men ends up as history clouded by invention. These characters really lived, yet they don’t come to life here.Pub Date: Jan. 7, 2002
ISBN: 1-57322-197-X
Page Count: 448
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2001
BOOK REVIEW
BOOK REVIEW
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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