Novak ably combines realism and the supernatural, even if the result is sometimes too preposterous even for suspenders of...
Feral children, the result of fertility treatments gone horribly awry, roam the streets of Manhattan in Novak’s hit-or-miss follow-up to Breed (2012).
The pseudonymous Novak (who's really Scott Spencer; Endless Love, 1979, etc.) continues the tale of the Twisden twins, Adam and Alice, now 13 and orphaned following their parents’ grisly suicides (equally grisly is the elder Twisdens’ penchant for cannibalism, thanks to a Slovenian doctor’s fertility regimen). Stepping into the vacant parental shoes is the twins’ aunt Cynthia, who jumps at the opportunity to be a mother. But family life is far from perfect as the trio returns to the Upper East Side mansion where Alex and Leslie Twisden raised their children and slowly went mad. The twins soon disappear, running off to join one of the numerous bands of wild children who, like Adam and Alice, are genetically mutated to various degrees following their parents’ fertility treatments. One of the children, who partially glows in the dark, is the mayor's son. The leader of the twins’ pack is Rodolfo, who, like most of his followers, speaks in an initially jarring (and eventually simply irritating) dialect—“You’s not to do” translates to “Don’t do that,” for example. The wild children are under constant threat of scientific poaching at the hands of thugs from bioengineering company Borman&Davis, which uses human specimens for research in an attempt to harness the children’s power. At home in the seemingly empty mansion, Cynthia finds herself skewing more mad than sane.
Novak ably combines realism and the supernatural, even if the result is sometimes too preposterous even for suspenders of disbelief.Pub Date: Oct. 7, 2014
ISBN: 978-0-316-22800-8
Page Count: 320
Publisher: Mulholland Books/Little, Brown
Review Posted Online: Aug. 23, 2014
Kirkus Reviews Issue: Sept. 15, 2014
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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