BROOD

Feral children, the result of fertility treatments gone horribly awry, roam the streets of Manhattan in Novak’s hit-or-miss follow-up to Breed (2012).

The pseudonymous Novak (who's really Scott Spencer; Endless Love, 1979, etc.) continues the tale of the Twisden twins, Adam and Alice, now 13 and orphaned following their parents’ grisly suicides (equally grisly is the elder Twisdens’ penchant for cannibalism, thanks to a Slovenian doctor’s fertility regimen). Stepping into the vacant parental shoes is the twins’ aunt Cynthia, who jumps at the opportunity to be a mother. But family life is far from perfect as the trio returns to the Upper East Side mansion where Alex and Leslie Twisden raised their children and slowly went mad. The twins soon disappear, running off to join one of the numerous bands of wild children who, like Adam and Alice, are genetically mutated to various degrees following their parents’ fertility treatments. One of the children, who partially glows in the dark, is the mayor's son. The leader of the twins’ pack is Rodolfo, who, like most of his followers, speaks in an initially jarring (and eventually simply irritating) dialect—“You’s not to do” translates to “Don’t do that,” for example. The wild children are under constant threat of scientific poaching at the hands of thugs from bioengineering company Borman&Davis, which uses human specimens for research in an attempt to harness the children’s power. At home in the seemingly empty mansion, Cynthia finds herself skewing more mad than sane. 

Novak ably combines realism and the supernatural, even if the result is sometimes too preposterous even for suspenders of disbelief.