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THE FERAL CHILD

A little incoherent—but enjoyable for all that.

The dark side of faerie for a younger crowd.

Thirteen-year-old Maddy, living with her grandparents in an Irish village since the deaths of her parents, is a horror of a child. She snarls at her grandparents, is rude to her cousins and is friendly only with Stephen, the toddler next door. It’s no surprise she’s snappish and violent when a boy accosts her on the grounds of a tourist-trap “faerie kingdom.” Unsurprisingly, it’s a poor idea to be rude to strangers on a faerie mound, however ostensibly artificial the mound may be. That very night, Maddy watches in terror as the strange boy—now long of ear and sharp of tooth—kidnaps Stephen. The need to rescue Stephen brings Maddy and two of her cousins into a twisted wintertime Tír na nÓg, its Irish (and somewhat Narnia-inflected) character mixing with a mishmash of names from Norse, Roman, Blackfeet and Inuit myth and history—there’s even a twiggy dryad with an Afro. At first, Maddy’s behavior is hardly heroic; when her grandparents refuse to support her story about Stephen’s abduction, she “sulk[s] and stomp[s] about the house all day,” and her treatment of her cousins at the beginning of the quest is harshly critical. The fantasyland adventure brings the three children together in predictable-if-satisfying ways, however, and feral little Maddy becomes almost likable.

A little incoherent—but enjoyable for all that. (glossary) (Fantasy. 9-11)

Pub Date: June 3, 2014

ISBN: 978-1-62365-120-6

Page Count: 262

Publisher: Mobius

Review Posted Online: April 8, 2014

Kirkus Reviews Issue: May 1, 2014

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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KATT VS. DOGG

A waggish tale with a serious (and timely) theme.

An age-old rivalry is reluctantly put aside when two young vacationers are lost in the wilderness.

Anthropomorphic—in body if definitely not behavior—Dogg Scout Oscar and pampered Molly Hissleton stray from their separate camps, meet by chance in a trackless magic forest, and almost immediately recognize that their only chance of survival, distasteful as the notion may be, lies in calling a truce. Patterson and Grabenstein really work the notion here that cooperation is better than prejudice founded on ignorance and habit, interspersing explicit exchanges on the topic while casting the squabbling pair with complementary abilities that come out as they face challenges ranging from finding food to escaping such predators as a mountain lion and a pack of vicious “weaselboars.” By the time they cross a wide river (on a raft steered by “Old Jim,” an otter whose homespun utterances are generally cribbed from Mark Twain—an uneasy reference) back to civilization, the two are BFFs. But can that friendship survive the return, with all the social and familial pressures to resume the old enmity? A climactic cage-match–style confrontation before a worked-up multispecies audience provides the answer. In the illustrations (not seen in finished form) López plops wide-eyed animal heads atop clothed, more or less human forms and adds dialogue balloons for punchlines.

A waggish tale with a serious (and timely) theme. (Fantasy. 9-11)

Pub Date: April 1, 2019

ISBN: 978-0-316-41156-1

Page Count: 320

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: Dec. 15, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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