A deeply moving family tale written in a smoothly poetic style.
In this novel, a retired English teacher in a small Southern town struggles to accept the death of her ex-husband.
Janet Hall has moved back to Trion, Alabama, the intellectually cloistered hometown she fled to study literature. Decades ago, she married Jacob Hall, an ambitious fiction writer she’d met in high school. They eventually divorced—he wanted kids and she desired a life of independence, and Janet could no longer tolerate his serial infidelity. But 35 years later, they remain close friends, with their lives deeply enmeshed, both unable to cut the “umbilicus of passion,” a memorable coinage in Courington’s poetically nimble tale. Janet still loves Jacob and neglects to restore her maiden name, and he remains entirely dependent on her editorial oversight of his writing. Despite some success, he’s filled with remorse that he’s never published a major novel or lived up to the excited expectations of his childhood teachers. Janet is in Trion after inheriting a house from a relative. She threatens to cut off Jacob, who lives in Illinois, if he won’t join her, and then she learns he’s dead, apparently from a heart attack. But Janet begins to suspect that he killed himself—he valorized the suicide of great authors like Hemingway as an act of heroism. She becomes obsessed with discovering if she is ultimately responsible for his death, a desperate investigation poignantly portrayed by the author. Courington delicately explores the ways in which literature can emancipate or imprison those devoted to it—it can crush dreams of grandeur just as easily as it can conjure them. The author powerfully captures the impossibility of ever fully leaving one’s past behind, a lesson finally learned by Janet: “As a kid, I felt trapped here, and Jacob became my way out—the beginning of a life filled with hope and ideas, the vision of a new day. He said small towns are for the small-minded. And I agreed. But I’ve begun to realize that my world is like a worn Samsonite suitcase I carry wherever I go—scratched and dented with locks that can pop open at any time.” This is an affectingly melancholic work, laced with insights and communicated in a quietly meditative prose.
A deeply moving family tale written in a smoothly poetic style.Pub Date: Sept. 9, 2024
ISBN: 9798989451364
Page Count: 219
Publisher: All Things That Matter Press
Review Posted Online: Sept. 13, 2024
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
