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CACA DOLCE

ESSAYS FROM A LOWBROW LIFE

Martin seldom goes deep, but the arc of growing self-awareness lends the story both gravity and an odd appeal.

A portrait of the artist as a moody teen.

“When someone suggested I was cool,” writes Martin (Mickey, 2016, etc.) by way of introduction, “I couldn’t help but think, What the fuck is your problem?” It’s a good organizing question as, at only 30, the author takes a hard look at her youth, chronicling the tumult and hardship that modern American life visits on the young, thanks mostly to the regrettable behavior of grown-ups who are scarcely grown themselves: "Seth and my mom fought a lot. Yelling and stomping around, mostly, but sometimes the fights became physically aggressive, and they would throw things or grab each other or make physical threats.” Readers might rightly be flummoxed, in any event, at a book that opens with a confession to having a first sexual experience at the age of 6, courtesy of a terrible slasher/horror film: “I attributed it to Chucky,” Martin writes matter-of-factly, “the evil sentient doll.” The author recounts a life alternately spent alone in her bedroom, making mix tapes and collages (“I knew I had something to say, but I didn’t trust myself to find the right way to say it yet”), and being wistfully, self-doubtfully in love with boys who didn’t know she existed. In other words, it’s the sort of thing with which any sensitive reader who has suffered through adolescence will feel sympathetic recognition. The story levels off in early adulthood, with still more confusions and failings and clumsy moments: “I mostly wanted to eat Jeppe’s burger, because Ian had ordered his with mayonnaise and I hated mayonnaise, but I couldn’t pass up the thrill of eating from two men’s burgers at the same time.” That episode ends on a note of furious discovery that is unexpected but entirely appropriate.

Martin seldom goes deep, but the arc of growing self-awareness lends the story both gravity and an odd appeal.

Pub Date: Aug. 15, 2017

ISBN: 978-1-59376-677-1

Page Count: 224

Publisher: Soft Skull Press

Review Posted Online: June 4, 2017

Kirkus Reviews Issue: June 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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