Quirky and sweet.
A debut novel about the families we’re given and the families we create.
Andrea Morales is reeling from multiple romantic disappointments when she does the unthinkable: she has sex with a man. What should have been a one-time hook-up turns into a regular thing because it feels good to be wanted, and Ryan wants her. Of course, Andy has to keep this act of heresy a secret from the “lesbian Mafia,” but that becomes impossible when she gets pregnant and decides to have a baby. The first section of this novel is set in Portland, Oregon, in 1998 and '99. This is the place Andy lands when she leaves small-town Nebraska and her parents behind. Portland is no Seattle, but there are plenty of hipster signifiers. Andy works in a letterpress studio. Her friends include a stripper and an apprentice tattoo artist. Just about everybody’s in a band. In Andy’s voice, Johnson depicts these people and this time with a fondness that borders on overfondness. Every detail is precious, and Johnson is sometimes given to overwriting. The amount of time that passes between Andy and Ryan’s first night together and their eventual split is just a few months, but it takes up more than half the book. There’s a short middle section devoted to a brief period in which Andy and Ryan are negotiating their future. This is told mostly in phone messages and unsent letters, and the device works to convey disconnect and miscommunication. A decade has passed by the time we reach the third section, and this is where one might wish that the first part of the novel had been tightened up to allow more development here. Andy is happily settled with Beatriz, the love of her life, when 10-year-old Lucia gets curious about her father. This part of the narrative feels rushed. Neither Beatriz nor Lucia emerges as anything more than sketches, and all-grown-up Andy and Ryan get short shrift, too. Still, this is a welcome look at a happily unconventional family.
Quirky and sweet.Pub Date: March 17, 2018
ISBN: 978-0-06-266668-0
Page Count: 432
Publisher: Custom House/Morrow
Review Posted Online: Dec. 23, 2017
Kirkus Reviews Issue: Jan. 15, 2018
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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