by Cherríe Moraga ‧ RELEASE DATE: April 2, 2019
A sympathetic portrait of Mexican-American feminism (both in mother and daughter) delivered in a poignant, beautifully...
A queer Latina feminist focuses on her ferocious, survivor mother from Tijuana.
In her moving portrait, Moraga (English/Univ. of California, Santa Barbara; A Xicana Codex of Changing Consciousness: Writings, 2000-2010, 2011, etc.), the founder of Kitchen Table: Women of Color Press, examines her close but tortured relationship with her now-deceased mother. Elvira Isabel Moraga, who came of age in Tijuana’s golden era in the 1920s, “was not the stuff of literature.” The daughter of an “illusive trickster who shuttle[d] between worlds” and “rode the counterfeit borders of the Southwest with a vaquero flare of Mexican independence and macho bravado,” Elvira and her numerous siblings, born on the American side of the border, were hired out by their father for menial labor, essentially limiting her education (“her inability to read and write well remained an open wound”). As a teenager, Elvira secured work until the mid-1930s as a hat-check–and-cigarette girl at a high-stakes gambling room in Tijuana, eluding the advances of the casino's predatory owner. Ultimately, she met and married a man named Joseph, a “functionary” who operated the South Pasadena Santa Fe Railroad station. Together, they and their children moved east of Los Angeles, embracing the suburban dream that characterized much of post–World War II America. Born in 1952, author Moraga offers mesmerizing details of growing up there and in San Gabriel, a mixed-race community, near her grandmother, who served as the locus of myriad visits by relatives. Coming to terms with her sexuality during a progressive social era almost derailed the author’s relationship with her strict, volatile mother, but in the end, her mother assured her, “how could you think that there is anything in this life you could do that you wouldn’t be my daughter?” The author’s determination to learn Spanish and visit Mexico helped the two bond in her mother’s later years, which were marked by Alzheimer’s.
A sympathetic portrait of Mexican-American feminism (both in mother and daughter) delivered in a poignant, beautifully written way.Pub Date: April 2, 2019
ISBN: 978-0-374-21966-6
Page Count: 256
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 3, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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