An often affecting, if slightly uneven, novel of familial adversity.
To prevent their marriage from collapsing, a husband and wife must make peace with their respective pasts in this debut literary novel.
Rob, a former professional paddleboarder, lives with his wife, Laura, and three children in his parents’ house while running a floundering bar. He remains haunted by his role in the accidental death of his best friend’s sister, Sandra. While out walking with Laura, he sees his old friend, Andre, paddleboarding, which revives his guilt over Andre’s arrest for his sister’s death, and his two-and-a-half year imprisonment for manslaughter. Laura, who senses Rob drawing away from her, runs a small bakery stand to help make ends meet; when she finds an injured cardinal on the street, she looks at her son, Nate, who’s still recovering from the effects of a car wreck: “Now, observing him in his wheelchair, she saw a boy broken like the cardinal that crashed into the window….What could she do about the bird, her son, or anything?” As this summary indicates, Crabb achieves a notable level of psychological realism by revealing her characters’ pasts via a series of emotional triggers. She also gives a highly visual sense of place to the characters’ hometown of Sanctuary, Michigan: “Still, there was no avoiding the glare of the midday sun blazing down…so much so that the village antique store appeared to squint.” In some instances, however, the author’s attention to detail works against the story; a chapter depicting Laura taking Nate to physical therapy, for example, starts off with a weather-based simile (“The wind shook the leaves from the trees that lined the cement path to the front door....The cold air was raw as her emotions”), but then delves into recording the characters’ every single word and gesture for several pages, which feels excessive: “Dr. Azzi…extended his hand to her. ‘Nice to see you again.’ Laura shook his hand before he and Nate exchanged knuckles. ‘How are you doing, young man?’ ” A judicious trimming of such passages would have enhanced some of the more meaningful scenes.
An often affecting, if slightly uneven, novel of familial adversity.Pub Date: Oct. 2, 2019
ISBN: 978-1-95-121456-2
Page Count: 382
Publisher: Adelaide Books
Review Posted Online: June 24, 2021
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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