by Cheryl Harness & illustrated by Cheryl Harness ‧ RELEASE DATE: Sept. 1, 2004
With characteristic horror vacui, Harness packs verbal and visual information into each teeming, full-bleed spread, sending a young museum-goer and his eccentric great aunt on a quick trip back to Ancient Egypt for tours of the Step and Great Pyramid, plus glimpses of city and rural life, writing, religion, and embalmers at work. Above a running timeline that names nearly all of the Pharaohs from Scorpion to the last Ptolemy (then fast-forwards to the Muslim conquest, and concludes with a worldwide map/chronology), she places explanatory captions near, next to, or often directly atop jumbles of small painted scenes or figures. Despite some spreads with number keys, the resulting super-dense, multilayered presentation may bewilder readers accustomed to linear exposition—but will reward browsers, lingerers, and flippers back-and-forth with a mother lode of facts and history. The thin plot line adds at least a sense of forward momentum to this flashy interest-builder. (bibliography) (Picture book/nonfiction. 8-10)
Pub Date: Sept. 1, 2004
ISBN: 0-689-83478-0
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2004
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by Julie Cummins & illustrated by Cheryl Harness
by Mark Kurlansky & illustrated by S.D. Schindler ‧ RELEASE DATE: Sept. 1, 2006
The author of Cod’s Tale (2001) again demonstrates a dab hand at recasting his adult work for a younger audience. Here the topic is salt, “the only rock eaten by human beings,” and, as he engrossingly demonstrates, “the object of wars and revolutions” throughout recorded history and before. Between his opening disquisition on its chemical composition and a closing timeline, he explores salt’s sources and methods of extraction, its worldwide economic influences from prehistoric domestication of animals to Gandhi’s Salt March, its many uses as a preservative and industrial product, its culinary and even, as the source for words like “salary” and “salad,” its linguistic history. Along with lucid maps and diagrams, Schindler supplies detailed, sometimes fanciful scenes to go along, finishing with a view of young folk chowing down on orders of French fries as ghostly figures from history look on. Some of Kurlansky’s claims are exaggerated (the Erie and other canals were built to transport more than just salt, for instance), and there are no leads to further resources, but this salutary (in more ways than one) micro-history will have young readers lifting their shakers in tribute. (Picture book/nonfiction. 8-10)
Pub Date: Sept. 1, 2006
ISBN: 0-399-23998-7
Page Count: 48
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2006
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by Mark Kurlansky ; illustrated by Eric Zelz
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by Mark Kurlansky ; illustrated by Jia Liu
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by Caroline Arnold & Richard Hewett ‧ RELEASE DATE: March 1, 1999
Arnold and Hewett (Stories in Stone, 1996, etc.) record the harrowing rescue of a baby gray whale who had become separated from her mother off the coast of California. She was discovered on January 10, 1997, exhausted, hungry, and near death. J.J. was 14 feet long when she was brought to SeaWorld as a young calf. Gaining 900 pounds in the first month, she had to be moved to a new home by crane. Her caretakers started planning on giving J.J. skills so that she could be released and survive on her own in the ocean. Divers put her food on the bottom of the pool, each day in a different location, so she could practice searching. Arnold is relaxed in her telling, allowing the already dramatic events to unfold naturally: “Everyone cheered as J.J. took a big breath, dove deep, and disappeared. The young whale was on her own.” Full-color photos capture the excitement of J.J.’s release, but also the hard work of preparing her for her return to the sea. (Picture book/nonfiction. 5-9)
Pub Date: March 1, 1999
ISBN: 0-8167-4961-2
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1999
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by Caroline Arnold ; illustrated by Rachell Sumpter
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by Caroline Arnold ; photographed by Caroline Arnold
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