by Cheryl Lu-Lien Tan ‧ RELEASE DATE: July 12, 2016
A rowdy tale, memorable language, and a very distinctive protagonist.
One young Singaporean woman’s meandering journey toward self-actualization.
The so-called Sarong Party Girl, Jazzy, is on a mission with her friends Fann and Imo. Before she turns 27, she wants to find an ang moh—white, foreign—husband with whom to have the most enviable accessory, a “Chanel baby.” The plan is fivefold: be “chio,” meaning attractive—skinny, fair, preferably dimple-cheeked; behave differently from other women providing only one or two nights of excitement; be interested in ang moh interests beyond “laugh laugh drink drink wink wink”; know the enemy—“China girls...Filipinas...other SPGs...ang moh girls”—who may try to “potong” eligible men; and know the best places to go for pickups. Jazzy makes her way through the often shocking after-hours world, which, at its mildest, includes sexual harassment and infidelity and, at its cruelest, includes KTV lounges where men have their pick of willing professionals and parties where wives stand by as husbands sample sex toys with the young girls who work for them. What she comes to find, secondary to a husband, is herself. Tan (Singapore Noir, 2014) offers a fascinating insight into Singapore’s club scene and social castes, and she does so in an irreverent, likable voice made more notable for its patois, Singlish—the unique mix of English, Malay, Mandarin, Hokkien, Teochew, and more. For example, describing the sort of undesirable attention the girls receive in Marina Square, “if you have two nice-looking girls sitting outside McDonald’s—walao, Ah Bengs confirm will suddenly damn steam.” After the turbulence of Jazzy’s journey, the final message is a positive one.
A rowdy tale, memorable language, and a very distinctive protagonist.Pub Date: July 12, 2016
ISBN: 978-0-06-244896-5
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: May 23, 2016
Kirkus Reviews Issue: June 15, 2016
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BOOK REVIEW
edited by Hillary Jordan & Cheryl Lu-Lien Tan
BOOK REVIEW
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: Feb. 6, 2018
A tour de force.
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New York Times Bestseller
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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