by Cheryl Wills ; illustrated by Sue Cornelison ‧ RELEASE DATE: Feb. 1, 2020
The message is clear and convincingly conveyed: Literacy is survival.
Journalist Wills reaches back through her family tree for a story of freedom and self-determination.
Little Emma is enslaved on the Moore plantation in Haywood County, Tennessee, in 1858. She works in the house, caring for and playing with the white master’s children—but not learning with them. More than anything, she wants what they have but she can’t: freedom and literacy. With the end of the Civil War, she gains one but not the other. Emma marries a former black Union soldier and has children, milestones recorded by others. When he dies, she applies for survivor’s benefits but is denied twice due to bureaucratic quibbles about her husband’s name. (The use of this same tool to deny voting rights today goes unmentioned, but the parallels are clear for adults who wish to draw them.) Her third application, based on the records of her children’s births, is approved. It’s an unusual plot for a picture book, but Wills pulls it off, emphasizing both Emma’s unrealized desire to read and write and the importance of literacy to the successful negotiation of power structures. Cornelison contributes soft-focus paintings that linger on Emma’s determined, soulful face. Her differentiation of other African American characters is weak; most are the same shade of brown and have similarly round faces and cheeks. Copious backmatter includes a note on primary sources, discussion questions and activities, and a two-page glossary.
The message is clear and convincingly conveyed: Literacy is survival. (Picture book. 5-10)Pub Date: Feb. 1, 2020
ISBN: 978-1-68265-642-6
Page Count: 40
Publisher: Lightswitch Learning
Review Posted Online: Nov. 9, 2019
Kirkus Reviews Issue: Dec. 1, 2019
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PERSPECTIVES
by Josh Schneider & illustrated by Josh Schneider ‧ RELEASE DATE: May 1, 2011
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
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BOOK REVIEW
by Josh Schneider ; illustrated by Josh Schneider
BOOK REVIEW
by Josh Schneider ; illustrated by Josh Schneider
BOOK REVIEW
by Josh Schneider ; illustrated by Josh Schneider
by Megan McDonald & illustrated by Peter H. Reynolds ‧ RELEASE DATE: March 13, 2012
This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the...
An all-zombie-all-the-time zombiefest, featuring a bunch of grade-school kids, including protagonist Stink and his happy comrades.
This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the streets in the time-honored stiff-armed, stiff-legged fashion. McDonald signals her intent on page one: “Stink and Webster were playing Attack of the Knitting Needle Zombies when Fred Zombie’s eye fell off and rolled across the floor.” The farce is as broad as the Atlantic, with enough spookiness just below the surface to provide the all-important shivers. Accompanied by Reynolds’ drawings—dozens of scene-setting gems with good, creepy living dead—McDonald shapes chapters around zombie motifs: making zombie costumes, eating zombie fare at school, reading zombie books each other to reach the one-million-minutes-of-reading challenge. When the zombie walk happens, it delivers solid zombie awfulness. McDonald’s feel-good tone is deeply encouraging for readers to get up and do this for themselves because it looks like so much darned fun, while the sub-message—that reading grows “strong hearts and minds,” as well as teeth and bones—is enough of a vital interest to the story line to be taken at face value.Pub Date: March 13, 2012
ISBN: 978-0-7636-5692-8
Page Count: 160
Publisher: Candlewick
Review Posted Online: Dec. 13, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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More In The Series
by Megan McDonald ; illustrated by Peter H. Reynolds
by Megan McDonald & illustrated by Peter H. Reynolds
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by Megan McDonald ; illustrated by Scott Nash
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by Megan McDonald ; illustrated by Katherine Tillotson
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by Megan McDonald ; illustrated by Peter H. Reynolds
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