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DAZZLING

A densely detailed tale of tradition and girl power.

In a story imbued with magic, the lives of two girls in 1990s Nigeria run on a collision course.

Ozoemena, the school-age daughter of a physician and a pharmacist, begins to experience odd complaints shortly after the death of her uncle. Episodes of visual and aural disturbances and skin eruptions continue, causing misery in Ozoemena’s life. Gradually, her status as the inheritor—after her uncle—of her family’s affiliation with an ancient and shadowy source of magical power is revealed by community elders. Running parallel to the narrative of Ozoemena’s life is the story of Treasure, a young girl mourning the death of her beloved father, and her efforts to survive crushing poverty and social alienation despite her widowed mother’s complete retreat from life and responsibility. Treasure’s own immersion into the powerful world of Nigerian spiritual belief and practice comes about after an encounter with a spirit who insinuates that he can return her father to her in exchange for some things he wants from the land of the living. As the girls each struggle to negotiate the subtleties and details of their new—phantasmagoric—realities, their alternating narratives buttress a complicated plot that wends back and forth over time and includes a varied cast of characters, some mortal, some not. Breadcrumbs along the way hint at a relationship between the two but the cinematic final scenes contain further surprises as Ozoemena is forced to reckon with her unbidden powers and must determine how to incorporate them into her life—as Treasure attempts to outwit the slippery business practices of the not-entirely-benevolent spirits she bargains with.

A densely detailed tale of tradition and girl power.

Pub Date: Dec. 5, 2023

ISBN: 9781419769795

Page Count: 352

Publisher: Overlook

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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IRON FLAME

From the Empyrean series , Vol. 2

Unrelenting, and not in a good way.

A young Navarrian woman faces even greater challenges in her second year at dragon-riding school.

Violet Sorrengail did all the normal things one would do as a first-year student at Basgiath War College: made new friends, fell in love, and survived multiple assassination attempts. She was also the first rider to ever bond with two dragons: Tairn, a powerful black dragon with a distinguished battle history, and Andarna, a baby dragon too young to carry a rider. At the end of Fourth Wing (2023), Violet and her lover, Xaden Riorson, discovered that Navarre is under attack from wyvern, evil two-legged dragons, and venin, soulless monsters that harvest energy from the ground. Navarrians had always been told that these were monsters of legend and myth, not real creatures dangerously close to breaking through Navarre’s wards and attacking civilian populations. In this overly long sequel, Violet, Xaden, and their dragons are determined to find a way to protect Navarre, despite the fact that the army and government hid the truth about these creatures. Due to the machinations of several traitorous instructors at Basgiath, Xaden and Violet are separated for most of the book—he’s stationed at a distant outpost, leaving her to handle the treacherous, cutthroat world of the war college on her own. Violet is repeatedly threatened by her new vice commandant, a brutal man who wants to silence her. Although Violet and her dragons continue to model extreme bravery, the novel feels repetitive and more than a little sloppy, leaving obvious questions about the world unanswered. The book is full of action and just as full of plot holes, including scenes that are illogical or disconnected from the main narrative. Secondary characters are ignored until a scene requires them to assist Violet or to be killed in the endless violence that plagues their school.

Unrelenting, and not in a good way.

Pub Date: Nov. 7, 2023

ISBN: 9781649374172

Page Count: 640

Publisher: Red Tower

Review Posted Online: Jan. 20, 2024

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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