Rupture as Rapture. We have nothing to lose but our chains.
A passionate argument for the continued, urgent relevance of The Communist Manifesto.
Though perhaps best known in the U.S. as an award-winning writer of speculative fiction, Miéville has both a doctorate in international relations and a long history as a Marxist. As such, he comes to the topic not as a dilettante but as a learned apostle of the communist creed. The author escorts readers through the Manifesto’s origins and publication history before launching into a summary of the document itself. (Samuel Moore’s 1888 English translation is appended for reference along with several introductions to various editions.) Miéville’s exegesis draws on both external commentators and co-authors Karl Marx’s and Friedrich Engels’ other writings to inform it. It is when Miéville enters into dialogue with the Manifesto’s critics that his own writing comes most robustly to life. In addressing those who take swipes at the document’s religiosity, the author responds with an unabashed “So what” and leans in, exhorting readers to “incant the Manifesto, as its catechism-derived rhythms and techniques plead for you to do….Does not the Manifesto repeatedly describe its aim as rupture?…This is an eschatological moment.” This is a slim volume but by no means a light one. Miéville’s audience is assumed to have either a high degree of comfort with his 75-cent vocabulary or a dictionary (fissiparous, imbricated, apophatic, etc.). Nonetheless, his argument is persuasive, pointing to such contemporary phenomena as America’s “vicious, racialized carceral regime” as evidence of capitalism’s “excrescences”—and its sinister “adaptability.” Like Marx and Engels, Miéville offers no real road map for post-capitalist life, just the certainty that “this carnival of predatory rapacity will [never be] fit to live in.” He builds to a rapturous conclusion, thundering from his pulpit as he enlists readers among the “we who reach the tipping point where this unliveable disempowering tawdry ugly violent murderous world can no longer be lived.”
Rupture as Rapture. We have nothing to lose but our chains.Pub Date: Nov. 1, 2022
ISBN: 978-1-64259-893-3
Page Count: 292
Publisher: Haymarket Books
Review Posted Online: Sept. 13, 2022
Kirkus Reviews Issue: Oct. 1, 2022
PERSPECTIVES
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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