by China Miéville ‧ RELEASE DATE: Nov. 1, 2022
Rupture as Rapture. We have nothing to lose but our chains.
A passionate argument for the continued, urgent relevance of The Communist Manifesto.
Though perhaps best known in the U.S. as an award-winning writer of speculative fiction, Miéville has both a doctorate in international relations and a long history as a Marxist. As such, he comes to the topic not as a dilettante but as a learned apostle of the communist creed. The author escorts readers through the Manifesto’s origins and publication history before launching into a summary of the document itself. (Samuel Moore’s 1888 English translation is appended for reference along with several introductions to various editions.) Miéville’s exegesis draws on both external commentators and co-authors Karl Marx’s and Friedrich Engels’ other writings to inform it. It is when Miéville enters into dialogue with the Manifesto’s critics that his own writing comes most robustly to life. In addressing those who take swipes at the document’s religiosity, the author responds with an unabashed “So what” and leans in, exhorting readers to “incant the Manifesto, as its catechism-derived rhythms and techniques plead for you to do….Does not the Manifesto repeatedly describe its aim as rupture?…This is an eschatological moment.” This is a slim volume but by no means a light one. Miéville’s audience is assumed to have either a high degree of comfort with his 75-cent vocabulary or a dictionary (fissiparous, imbricated, apophatic, etc.). Nonetheless, his argument is persuasive, pointing to such contemporary phenomena as America’s “vicious, racialized carceral regime” as evidence of capitalism’s “excrescences”—and its sinister “adaptability.” Like Marx and Engels, Miéville offers no real road map for post-capitalist life, just the certainty that “this carnival of predatory rapacity will [never be] fit to live in.” He builds to a rapturous conclusion, thundering from his pulpit as he enlists readers among the “we who reach the tipping point where this unliveable disempowering tawdry ugly violent murderous world can no longer be lived.”
Rupture as Rapture. We have nothing to lose but our chains.Pub Date: Nov. 1, 2022
ISBN: 978-1-64259-893-3
Page Count: 292
Publisher: Haymarket Books
Review Posted Online: Sept. 13, 2022
Kirkus Reviews Issue: Oct. 1, 2022
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by China Miéville & Zak Smith ; illustrated by Zak Smith
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Walter Isaacson ‧ RELEASE DATE: Sept. 12, 2023
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
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A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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