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THE ORGAN THIEVES

THE SHOCKING STORY OF THE FIRST HEART TRANSPLANT IN THE SEGREGATED SOUTH

A moving exploration of an unthinkable trespass against an innocent man.

Another sad tale of virulent racism—this time involving the medical community—at the height of the civil rights movement.

Jones is a Pulitzer Prize–nominated journalist with deep roots in Virginia’s still-divided communities, so the reportage is unsurprisingly solid, and the depths and repercussions of the story he discovered are startling. The author takes the time to put the history of organ transplants and their various failures and successes into context before he arrives at the pivotal event of his narrative. In May 1968, African American factory worker Bruce Tucker fell off a brick wall and fractured his skull. Brought to the Medical College of Virginia’s emergency room, Tucker was found to have suffered a grave injury. This caught the attention of Drs. David Hume and Richard Lower, who made the decision to take Tucker’s heart and transplant it into Joseph Klett, a white businessman with severe heart disease. From here, the story morphs into something of a sociological mystery. Tucker’s family discovered his organs were missing at the funeral home, dogged reporters attempted to chase down the facts, and hospital staff and administrators wrestled with the ethics of what they had done. There was also a hotly contested legal battle that emerged when Tucker’s family sued the hospital, igniting a face-off between Jack Russell, known for “defending physicians named in medical malpractice suits,” and Doug Wilder, the Tucker family’s attorney and “one of the best-known African American trial lawyers practicing in the state capital.” This is a powerful story that examines institutional racism, mortality, medical ethics, and the nature of justice for black men living in the American South. The author also offers two chilling codas, one involving the discovery of a mass grave and the other chronicling his search for Tucker’s son some 50 years later.

A moving exploration of an unthinkable trespass against an innocent man.

Pub Date: Aug. 18, 2020

ISBN: 978-1-982107-52-9

Page Count: 400

Publisher: Jeter Publishing/Gallery Books

Review Posted Online: April 26, 2020

Kirkus Reviews Issue: May 15, 2020

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F*CK IT, I'LL START TOMORROW

The lessons to draw are obvious: Smoke more dope, eat less meat. Like-minded readers will dig it.

The chef, rapper, and TV host serves up a blustery memoir with lashings of self-help.

“I’ve always had a sick confidence,” writes Bronson, ne Ariyan Arslani. The confidence, he adds, comes from numerous sources: being a New Yorker, and more specifically a New Yorker from Queens; being “short and fucking husky” and still game for a standoff on the basketball court; having strength, stamina, and seemingly no fear. All these things serve him well in the rough-and-tumble youth he describes, all stickball and steroids. Yet another confidence-builder: In the big city, you’ve got to sink or swim. “No one is just accepted—you have to fucking show that you’re able to roll,” he writes. In a narrative steeped in language that would make Lenny Bruce blush, Bronson recounts his sentimental education, schooled by immigrant Italian and Albanian family members and the mean streets, building habits good and bad. The virtue of those habits will depend on your take on modern mores. Bronson writes, for example, of “getting my dick pierced” down in the West Village, then grabbing a pizza and smoking weed. “I always smoke weed freely, always have and always will,” he writes. “I’ll just light a blunt anywhere.” Though he’s gone through the classic experiences of the latter-day stoner, flunking out and getting arrested numerous times, Bronson is a hard charger who’s not afraid to face nearly any challenge—especially, given his physique and genes, the necessity of losing weight: “If you’re husky, you’re always dieting in your mind,” he writes. Though vulgar and boastful, Bronson serves up a model that has plenty of good points, including his growing interest in nature, creativity, and the desire to “leave a legacy for everybody.”

The lessons to draw are obvious: Smoke more dope, eat less meat. Like-minded readers will dig it.

Pub Date: April 20, 2021

ISBN: 978-1-4197-4478-5

Page Count: 184

Publisher: Abrams

Review Posted Online: May 5, 2021

Kirkus Reviews Issue: June 1, 2021

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ON JUNETEENTH

A concise personal and scholarly history that avoids academic jargon as it illuminates emotional truths.

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The Harvard historian and Texas native demonstrates what the holiday means to her and to the rest of the nation.

Initially celebrated primarily by Black Texans, Juneteenth refers to June 19, 1865, when a Union general arrived in Galveston to proclaim the end of slavery with the defeat of the Confederacy. If only history were that simple. In her latest, Gordon-Reed, winner of the Pulitzer Prize, National Book Award, Anisfield-Wolf Book Award, and numerous other honors, describes how Whites raged and committed violence against celebratory Blacks as racism in Texas and across the country continued to spread through segregation, Jim Crow laws, and separate-but-equal rationalizations. As Gordon-Reed amply shows in this smooth combination of memoir, essay, and history, such racism is by no means a thing of the past, even as Juneteenth has come to be celebrated by all of Texas and throughout the U.S. The Galveston announcement, notes the author, came well after the Emancipation Proclamation but before the ratification of the 13th Amendment. Though Gordon-Reed writes fondly of her native state, especially the strong familial ties and sense of community, she acknowledges her challenges as a woman of color in a state where “the image of Texas has a gender and a race: “Texas is a White man.” The author astutely explores “what that means for everyone who lives in Texas and is not a White man.” With all of its diversity and geographic expanse, Texas also has a singular history—as part of Mexico, as its own republic from 1836 to 1846, and as a place that “has connections to people of African descent that go back centuries.” All of this provides context for the uniqueness of this historical moment, which Gordon-Reed explores with her characteristic rigor and insight.

A concise personal and scholarly history that avoids academic jargon as it illuminates emotional truths.

Pub Date: May 4, 2021

ISBN: 978-1-63149-883-1

Page Count: 128

Publisher: Liveright/Norton

Review Posted Online: Feb. 23, 2021

Kirkus Reviews Issue: March 15, 2021

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