An ambitious project effectively executed.
Divakaruni (Queen of Dreams, 2005, etc.) offers a quasi-feminist retelling of the great Hindu text known as the Mahabharata.
Among the world’s longest epic poems and dated to the 5th century BCE, the Mahabharata traces the dynasty of the Pandava brothers, from the circumstances of their birth to the great war fought for the honor of Panchaali to their last days in search of spiritual peace. Gods intervene, divine weapons waylay whole battalions, a fantastical palace inspires a war, yet Divakaruni manages to keep the story human and relevant, also about a woman, her marriage, her mother-in-law. The plot remains essentially true to the original, but here the story is narrated by Panchaali, born out of fire to avenge her father. It is decreed that she will change history, and she certainly begins well when she marries all five of the Pandava brothers (by a strange bit of misunderstanding, the brothers’ mother insists that the brothers must share all of their good fortune). Panchaali becomes queen and builds for herself the Palace of Illusions, the most magnificent dwelling on earth, made of marble and magic. But Panchaali’s worldly triumphs are paired with her spiritual failings: her pride, her need for vengeance and the secret love she holds for Karna, her husbands’ greatest enemy. When her husband Yudhisthir loses their kingdom gambling, Panchaali and her husbands are forced into forest exile for 12 years, and when they re-emerge, they begin the war that will pit all the kings of India against each other, and will fulfill the prophesy of Panchaali’s birth. Throughout the story, there is one constant in Panchaali’s life—the benevolent presence of Krishna, her greatest friend (she vaguely suspects he is divine) and ally. Occasionally the novel falls flat—decades and events flash by with mere mention, one suspects a result of compressing such a rich work into such a small space—but Divakaruni mostly succeeds in creating an intimate, feminine portrait that is both contemporary and timeless.
An ambitious project effectively executed.Pub Date: Feb. 12, 2008
ISBN: 978-0-385-51599-3
Page Count: 336
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2007
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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