by Chloe Caldwell ‧ RELEASE DATE: Oct. 4, 2016
A transitional work that suggests Caldwell has even better books to come.
A major progression finds an essayist outgrowing her self-indulgence.
On earlier book tours, Caldwell (Women, 2014, etc.) admits, she fortified her confidence by doing heroin before readings, and in the earlier pieces in her latest collection, she seems to revel in some of the less-prudent choices she has made over the years—e.g., binging on drugs, soliciting strange men for steak and bourbon on Craigslist, and taking advantage of her employer’s trust. “The cycle went like this: The worse my skin got, the more stressed I felt and the more heroin I would buy,” she writes. “The more heroin I snorted, the worse my skin would get and the more stressed I would become.” Throughout, the author’s confessionalism has an engagingly conversational tone, yet the shock-value solipsism gives way to a stylistic maturity in which the author seems to develop command over her material, resulting in a subtlety lacking in the earlier pieces of the book. Particularly moving is “The Music & the Boys,” in which bonding with male friends, even occasionally flirting with romance, helps her deal with her parents’ separation. “Maybe I didn’t think I had the right to admit I was sad,” she reflects on her younger self. Even better is “Maggie and Me: A Love Story,” about the friendship and mentoring Caldwell experienced with the late writer Maggie Estep and the depth of her loss. As the author deals with sexual fluidity and confusion (“The Laziest Coming Out Story You’ve Ever Heard”), she addresses her developing sense of identity in a way that the younger writer never bothered. She ends the collection sleeping on the floor of Penn Station after an extended visit to Berlin. “I was almost home,” she writes. “I was getting closer to knowing what that meant.”
A transitional work that suggests Caldwell has even better books to come.Pub Date: Oct. 4, 2016
ISBN: 978-1-56689-453-1
Page Count: 208
Publisher: Coffee House
Review Posted Online: July 25, 2016
Kirkus Reviews Issue: Aug. 15, 2016
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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