by Chloe Hooper ‧ RELEASE DATE: April 1, 2009
Alternately poignant, powerful and ponderous—a worthwhile glimpse into a battered culture.
Australian novelist Hooper (A Child’s Book of True Crime, 2002) investigates the 2004 death of an Aboriginal man and the subsequent trial of the police sergeant charged with his killing.
The author combines murder mystery with provocative social commentary in her deeply felt if occasionally overwrought account. Pursuing the story from ground level, Hooper traveled to remote Aboriginal townships to explore a culture rich in folklore and superstition and a population seemingly condemned to poverty, squalor and hopelessness. She was less successful in penetrating the stone-faced veneer of accused detective Chris Hurley, whose career included episodes of both brutality and kindness. Absent Hurley’s cooperation, Hooper was left to speculate on the mindset of this particular “tall man” and a police force highly adept at protecting its own. More revelatory was the author’s emotional journey into the lives of Australia’s indigenous people, crippled both by the effects of long-standing white domination and by their own self-destructive behavior. (Laudably, Hooper doesn’t scant either aspect in her text.) The victim, Cameron Doomadgee, was sadly typical of many young Aboriginal men living in the remote Queensland hamlet of Palm Island. Impoverished, unemployed and chronically drunk, he encountered Hurley after a morning of heavy imbibing. The Aboriginal shouted a slur, the cop arrested him, and things escalated from there. When Doomadgee punched the nearly 6’7” sergeant outside the police station, a scuffle ensued. Hurley claimed that he simply fell on top of his prisoner during the ruckus, but an autopsy revealed that the 36-year-old Aboriginal suffered severe trauma to his midsection that nearly ruptured his liver in half. An ambitious career officer with a record of good relations with Aborigines (he had even created a sports club for Aboriginal youths), Hurley soon became the first policeman in Australian history formally charged with the death of a prisoner in custody.
Alternately poignant, powerful and ponderous—a worthwhile glimpse into a battered culture.Pub Date: April 1, 2009
ISBN: 978-1-4165-6159-0
Page Count: 272
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2009
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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