An engaging art history read that would have benefitted from greater inclusivity.
An art history primer with a sweet conceit.
In an artist’s note, Tyler introduces her endeavor to emulate the style of 16 artists in depictions of donuts. “Why donuts?” she writes, asking the question that may cross many readers’ minds. She then matter-of-factly explains her project’s inspiration: “I have a sweet tooth that is impossible to satisfy and donuts are often on my mind.” Ensuing pages devote one spread to each artist, with versos typically offering a brief biography, an example of the artist’s work, and a point of interest about the artist under the heading “Delicious Details.” (There are a few artists without a representative piece of art reprinted, likely due to copyright concerns.) The biographical statements are succinct and informative, typically including commentary on the artist’s media and movement. Tyler’s donuts on the facing pages evidence her careful study of the artists’ styles, and terrific backmatter distills descriptions of techniques to inspire readers to attempt imitating their styles, as well. The fly in the ointment of this ambitious, well-executed book is the lack of diversity in the 16 featured artists. Most are European or American White men, with only two women (Mary Cassatt and Georgia O’Keeffe) and two men of color (Jean-Michel Basquiat and Tadanori Yokoo) included. (This book was reviewed digitally.)
An engaging art history read that would have benefitted from greater inclusivity. (glossary) (Informational picture book. 6-9)Pub Date: Oct. 18, 2022
ISBN: 978-1-4867-1871-9
Page Count: 52
Publisher: Flowerpot Press
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
BOOK REVIEW
BOOK REVIEW
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
BOOK REVIEW
BOOK REVIEW
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