The finely drawn scenes and characters here will suck in all but the hardest-hearted. Pretty much irresistible.
The privileged summer of a prosperous family is shortened by a bullet in the night.
Courteously observing dramatic unities, Oprah-blessed Bohjalian (Midwives, 1997; The Buffalo Soldier, 2002, etc.), America’s answer to Joanna Trollope, sees to it that the jammed rifle in the back of Vermont lawyer John Seton’s borrowed Volvo goes off to critical effect when it’s fired by 12-year-old-going-on-16 Charlotte McCollough into her father’s right shoulder. The great irony in this suavely perceptive story is that novice hunter Seton’s bullet had been intended for a deer, a deep dark secret hitherto kept from the brutally winged Spencer McCollough, Seton’s brother-in-law and the public face of FERAL, an animal activist organization. Spencer has been vegan since repenting of the murder of countless lobsters as a kitchen laborer during his college years, and his dedication to the well being of animals is deep and long-standing. That dedication, Bohjalian politely points out, has not always extended to the animals in his own herd—wife Catherine, a meat-sneaking Brearley instructor, and daughter Charlotte. In fact, his vegetarian rigidities and professional absences have so distressed Catherine that she was ready to discuss separation just before the pot- and beer-befuddled Charlotte fired the rifle at what she thought might be the deer that had ruined that summer’s ambitious vegetable garden. Nan Seton, Catherine and John’s immensely energetic, capable, and prosperous mother, manages the immediate effects of the crisis, which occurred at her New Hampshire cottage, but she is helpless to patch the rift that develops between the families of her two children when Spencer refuses to forgive his deeply repentant brother-in-law and allows FERAL to push for publicity and a lawsuit. The balance of power rests with Charlotte’s younger cousin Willow, a real sweetheart who’d shared that spliff with Charlotte hours before the disaster.
The finely drawn scenes and characters here will suck in all but the hardest-hearted. Pretty much irresistible.Pub Date: Oct. 1, 2004
ISBN: 1-4000-4745-5
Page Count: 448
Publisher: Shaye Areheart/Harmony
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2004
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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