Illustrates how rough justice can get when religion and institutional sexism are in the mix.
A Puritan wife shocks her community and risks her life to file for divorce in 1662 Boston.
For more than five years, Mary, age 24, has been married to Thomas, 45, a prosperous miller. Thomas has been physically and sexually abusive, always taking care that there are no witnesses. He castigates Mary’s intelligence, telling her she has “white meat” for brains. The marriage is childless, drawing community suspicion to Mary. When she can’t hide bruises on her face, she lies about their provenance. The behavior, she tells herself, only occurs when Thomas is “drink-drunk.” The coverup continues until, cold sober, Thomas drives a fork into Mary’s hand, breaking bones. She flees to her parents’ home and files for divorce, which is allowed but only if grounds can be proven. Forks are a major motif: Not merely newfangled “cutlery” which Mary’s father, a shipping entrepreneur, hopes to profit from importing, but miniature pitchforks viewed by the Puritans as “Devil’s tines.” The forks, as well as other clues—a mysterious pestle, a pentagram etched on a door frame—are used to counter Mary’s compelling, but unwitnessed, claims of cruelty with insinuations of witchcraft. Divorce denied, Mary must return to the marital home and resort to ever more drastic expedients in her quest for freedom. Mary comes from privilege, and her parents clearly care about her. (Unlike the divorce magistrates, they don’t believe she injured her hand by falling on a tea kettle spout.) That they allow her return to Thomas to avoid witchcraft charges defies plausibility—death at Thomas’ hands seems a more immediate prospect, and her family wealth affords many other options. The charges come anyway—timed for maximum melodrama. The language, salted liberally with thee and thou, feels period-authentic. The colonists’ impact on nearby Native tribes is not Bohjalian’s primary concern here, but the Hobson’s choice facing women in Puritan society is starkly delineated.
Illustrates how rough justice can get when religion and institutional sexism are in the mix.Pub Date: April 20, 2021
ISBN: 978-0-385-54243-2
Page Count: 416
Publisher: Doubleday
Review Posted Online: Dec. 25, 2020
Kirkus Reviews Issue: Jan. 15, 2021
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Perhaps the single most striking feature of this latest dose of intrigue is that its title is intended to be taken literally.
The eternal jostling for power in Rome and the Vatican is juiced by a development that attracts the attention of the Magellan Billet and its foremost alumnus, Cotton Malone.
Eric Gaetano Casaburi, secretary of Italy’s National Freedom Party, anticipates a decisive victory for the party if Sergio Cardinal Ascolani, the Vatican’s secretary of state, will lend his full-throated support. Of course, the Church isn’t supposed to meddle in contemporary politics, but Eric makes an offer he doesn’t think Ascolani can refuse. Five hundred years ago, Giuliano di Lorenzo de’ Medici loaned Pope Julius II ten million florins the Church never repaid. That debt is still legally payable to anyone who proves to be a surviving member of the Medici family, and Eric believes he can prove exactly that. Although Malone, called in to investigate the bona fides of Ascolani’s enemy Jason Cardinal Richter, has already found a fortune hidden in Richter’s apartment, Richter swears that he’s being framed, and the violent deaths of three anonymous functionaries seem to bear him out. So, Malone forges a series of alliances with Richter, with wealthy businesswoman Camilla Baines, and ultimately with an even more surprising party to prevent Ascolani and Thomas Dewberry, a hired assassin who’s both a sociopath and a devout Catholic, from swaying the upcoming election in return for Eric’s forgiving the ancient debt. An extended closing note shows how inventively Berry mingled history and fiction to weave this tangled web. Readers invested in learning more about the Medicis can be assured that the brief glimpse of them in a prologue set in 1512 is only the beginning.
Perhaps the single most striking feature of this latest dose of intrigue is that its title is intended to be taken literally.Pub Date: Feb. 11, 2025
ISBN: 9781538770566
Page Count: 416
Publisher: Grand Central Publishing
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
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