Little style or substance.
Ten years of insubstantial newspaper columns about life in small-town Vermont.
In 1992, after six years of living in Lincoln, a burg of fewer than a thousand souls near Burlington, novelist Bohjalian (The Buffalo Soldier, 2002, etc.) was asked to write a column for the Burlington Free Press to be called “Idyll Banter.” These short rural portraits were pegged to make residents and visitors alike “smile,” which they do, with Bohjalian working the sentimental angle with gusto, though rarely rising above the quaint. He offers good words on kinship and the complexity of blood networks, on tolerance of eccentricity and “glorification of neighborliness for the simple reason it is easier to be civil than ornery when on any given day you're likely to run into someone at the library, the post office, or while watching the annual outhouse races.” He writes about the physics of deep snow on a rooftop, about the local river breaching its banks and flooding the library, and about carpets of dead cluster flies (a perennial favorite). He chronicles a six-mile, snow-driven horseback ride 50 years ago to deliver a letter to a family awaiting news of their son during WWII. Nor does he neglect bats decomposing inside wood stoves, road kill, schoolchildren visiting the graveyard on Memorial Day, or small-town events. What the author fails to provide is the sap of these doings, the drama of the quotidian; we get the foam off his evaporator, not the syrup. Bohjalian might make you smile and occasionally think about just why autumn is so phantasmagoric in Vermont or why farms are vanishing, but his offerings rarely fill the belly. His work pales in comparison with fellow Vermont essayists Noel Perrin and Don Mitchell, who work within the same columnist’s compression yet find both song and pith.
Little style or substance.Pub Date: Dec. 1, 2003
ISBN: 1-4000-5215-7
Page Count: 240
Publisher: Harmony
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2003
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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