Deftly plotted and well written, a gentle meditation on the healing power of art—and its limitations.
Two people nursing childhood wounds meet via a piano and take a journey toward closure across Death Valley.
Cander (Whisper Hollow, 2015, etc.) grabs the reader in her opening pages: a bravura, thickly detailed account of the creation of a Blüthner piano from wood culled in the forests of Romania, then lovingly aged and shaped in a factory in Leipzig. Blüthner No. 66,825 comes to Katya, a gifted Soviet musician who reluctantly immigrates to California with her husband, Mikhail, who promises that her beloved piano will soon follow. Somehow, decades later in 2012, it has wound up in the possession of Clara, an auto mechanic in Bakersfield who impulsively puts it up for sale after she and the piano are kicked out by her live-in boyfriend, frustrated by her inability to commit. How these stories connect doesn’t become apparent until long after Clara reneges on her sale to photographer Greg Zeldin, realizing she can’t give up the only connection to her parents, who died in a fire when she was 12. Cander expertly parcels out her revelations: Alert readers will likely figure out that Greg is Katya’s son before he admits it on route to Death Valley, but the final plot twist is a satisfying surprise. Clues are carefully planted, however, as Cander builds parallel narratives in alternating chapters. Clara warily joins forces with Greg, allowing him to lease the piano and following him to Death Valley, where he takes a series of photos of the piano perched in locations he once visited with his mother. Flashbacks chronicle Katya’s increasing misery in the U.S., mitigated only temporarily—and ultimately disastrously—when her piano belatedly arrives. As the narratives converge, Greg convinces himself and almost convinces Clara that the piano shows they were meant to be together. Her realization that it’s not so simple prompts an odd but beautiful finale that leads from inside the piano’s consciousness to the summit of Dante’s Peak.
Deftly plotted and well written, a gentle meditation on the healing power of art—and its limitations.Pub Date: Jan. 22, 2019
ISBN: 978-0-525-65467-4
Page Count: 336
Publisher: Knopf
Review Posted Online: Oct. 1, 2018
Kirkus Reviews Issue: Oct. 15, 2018
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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