A wonderful, quick-witted alternative to the typical romance novel.
The Devil Wears Prada meets My Hollywood in this witty Hollywood romance.
Newly divorced, 40-something Natalie Saladay leaves her steady, safe existence in San Francisco and returns to Los Angeles after nearly 20 years, in search of opportunity and a little excitement. Although L.A. is ripe with possibility, it’s also full of ghosts from Natalie’s past—most notably Benny Gallo, a charismatic movie producer and Natalie’s former lover. She hopes to avoid him like the plague, but that becomes extremely difficult as Natalie has taken up her former job as a studio reader, wading through scripts and books in search of that perfect movie, at the very studio where Benny runs a division. Natalie also butts heads with Mona Pearl, her much younger, beautiful, extremely career-driven boss, who is in search of the next multimillion-dollar blockbuster and not the character-driven scripts that Natalie supports. Conflicted about her feelings for Benny—is he the one that got away or the one that she should continue to run away from?—and his motivation for going after her, Natalie can’t put off Benny’s magnetism for long and reignites a relationship with him. She soon convinces Benny to produce American Vintage, a smart, character-focused picture that Mona passes over in order to make a big budget, action-packed movie. As each movie is rushed along in order to be screened for audiences, Mona and Natalie’s rivalry intensifies to the point that it strains Natalie’s relationship with Benny, leading her to question whether or not she is risking too much for the sake of American Vintage and proving Mona wrong. Despite a few instances of heavy-handed prose and some narrative threads that tie together too tidily, Culler has crafted a smart novel that offers an unexpected look into the world of movie story readers and the Hollywood film industry in general. The characters are sharp, playful and entertaining without falling into typical Hollywood caricature; the plot contains just the right amount and variety of conflicts to keep the reader invested; and the overall story moves forward at a nice clip through a series of deceptively short chapters that leave the reader craving just one more bite.
A wonderful, quick-witted alternative to the typical romance novel.Pub Date: Feb. 7, 2011
ISBN: 978-1456425388
Page Count: 353
Publisher: CreateSpace
Review Posted Online: June 7, 2011
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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