by Chris d’Lacey ‧ RELEASE DATE: May 26, 2015
A hodgepodge of contrived set pieces and tired X-Files–style tropes, with no sign of resolution.
A teenager struggling to control his ability to transform reality undertakes a mission for the secretive organization that recruited him in the opener.
Airily neglecting to clarify or even significantly advance any of the plotlines introduced in Dark Inheritance (2014), d’Lacey pitches his mercurial protagonist, Michael, into inconclusive encounters with the mendacious director of UNICORNE (“UNexplained Incidents, Cryptic Occurrences, Relative Nontemporal Events”), a telekinetic foe with a squad of hobbit-sized invisible World War I “Tommies” in reluctant thrall, and an ally buried in the first episode but now come back as a shape-shifting crow. Into this incoherent mess, the author also chucks arbitrary ambushes, ray guns and other futuristic tech, obscure references to an important “artifact,” and tiny organisms called Mleptra that can do anything the plot requires, from healing wounds to throwing up force fields. Though he does pull off a clever stunt with a grenade at a climactic moment, Michael, never the brightest bulb in the room, is consistently outthought, outfought and at every turn in need of rescue. Also of having things spelled out for him—a trait that will be welcomed by readers gamely trying to slog through the murk of ambiguous agendas, half-truths, evasions and outright lies to catch some glimmer of what’s really going on. The effort will be in vain.
A hodgepodge of contrived set pieces and tired X-Files–style tropes, with no sign of resolution. (Adventure. 11-13)Pub Date: May 26, 2015
ISBN: 978-0-545-60880-0
Page Count: 304
Publisher: Scholastic
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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by Elinor Teele ; illustrated by Ben Whitehouse ‧ RELEASE DATE: April 12, 2016
A sly, side-splitting hoot from start to finish.
The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee. Where? To the circus, of course.
Fortunately or otherwise, John and 6-year-old Page join up with Boz—sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. The hot pursuit of malign and indomitable Great-Aunt Beauregard, the Coggins’ only living relative, forces all three to leave the troupe for further flights and misadventures. Teele spins her adventure around a sturdy protagonist whose love for his little sister is matched only by his fierce desire for something better in life for them both and tucks in an outstanding supporting cast featuring several notably strong-minded, independent women (Page, whose glare “would kill spiders dead,” not least among them). Better yet, in Boz she has created a scene-stealing force of nature, a free spirit who’s never happier than when he’s stirring up mischief. A climactic clutch culminating in a magnificently destructive display of fireworks leaves the Coggin sibs well-positioned for bright futures. (Illustrations not seen.)
A sly, side-splitting hoot from start to finish. (Adventure. 11-13)Pub Date: April 12, 2016
ISBN: 978-0-06-234510-3
Page Count: 352
Publisher: Walden Pond Press/HarperCollins
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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