Although written in mostly colorless prose, this is a gold mine for fans of the 1970s and ’80s music scene.
A music memoir that is as much about love as music.
Frantz’s highly detailed, “true inside story” begins with a pleasant boyhood. Born to a military family, he moved around, went to good schools, enjoyed listening to music—especially the Beatles—played drums, and joined various bands. While attending Rhode Island School of Design, he met fellow art students Tina Weymouth, his future wife, and the aloof David Byrne, who, Frantz writes, “got into music to get out of himself.” Weymouth and Frantz helped Byrne write lyrics for “Psycho Killer,” and Frantz wrote “Warning Sign,” which Byrne later took sole credit for. Throughout, the author offers a devastating portrait of Byrne as a back-stabbing liar who aggrandized himself while disrespecting his band mates. Their first band, the Artistics, played some venues, and they moved to New York’s Bowery in 1974, where they got a regular gig playing as Talking Heads at the CBGB club, their all-time favorite venue. A keyboard player, Jerry Harrison, formerly of Modern Lovers, joined them. The star-struck Frantz began meeting people like Patti Smith, John Cale, Debbie Harry, Lou Reed, and Andy Warhol. Throughout the narrative, he proves to be an inveterate name-dropper. Frantz describes the band as “pioneers” in the “Punk/New Wave/Post-Punk music” scene. In 1976, they played 76 gigs. At this time, Byrne wanted to kick Weymouth out of the band, but as the author rightly notes, her inventiveness on bass “was one reason Talking Heads sounded so unique.” In 1977, they recorded their first album and toured Europe with the Ramones. Afterward, Frantz and Weymouth got married. Though not the most elegant stylist, the author offers entertaining stories about Stop Making Sense, Jonathan Demme’s documentary about the band; the origins of the Tom Tom Club; Byrne’s big white suit; and the day, in 1991, Byrne “sneaked out of Talking Heads.”
Although written in mostly colorless prose, this is a gold mine for fans of the 1970s and ’80s music scene.Pub Date: July 21, 2020
ISBN: 978-1-250-20922-1
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
