IN UTERO

An inquisitive girl encounters strange and monstrous phenomena while exploring a decaying shopping center.

When Hailey, an Australian tween, is dropped off by her mum at a low-budget holiday childcare program in a shuttered mall, she isn’t enthused. Plucky and adaptable (and one of the oldest kids in attendance), she easily evades adult supervision and meets Jen, an enigmatic teen who promises to show her more interesting things amid the urban decay. Eager to prove herself to someone older, Hailey follows Jen deeper into the expansive, crumbling complex. Meanwhile, the other children make a disturbing discovery: The building is infested with grotesque organisms that defy scientific explanation. Soon it becomes clear that something otherworldly is due to awaken, and Hailey and Jen lean on their tentative new friendship as they face the impending calamity. Gooch’s distinctive cinematic style of visual storytelling is both sweeping enough to convey the incomprehensible scale of the skin-crawling horrors the characters face and also intimate enough to deliver poignant moments with impact. Color is inventively used as a storytelling device—shades of muted blues and reds alternate across and within layouts to denote shifts in perspective and create palpable tension. Hailey and Jen have light complexions with black hair and read Asian; there is racial diversity among the supporting and background characters.

Coming-of-age meets cosmic horror; unforgettably striking, both visually and emotionally.