Say yes to each reread of this one.
Oliver McSnow says, “No!” to everything until his cousin Jess teaches him the power of “Yes!”
A word all too familiar to caregivers of little ones, no echoes around Oliver’s house. He turns down food, a request to clean up a mess, and even the chance to use the swings. When Jess comes to play, he says, “Yes!” before Oliver can say “No!” and off they go, swinging, scootering, and even enjoying ice cream. As it turns out, Jess just might change Oliver’s mind forever, showing him the joyful wonder of saying yes. Grabenstein’s naysayer is wholeheartedly believable, as is the exuberant, gleeful Jess. Espinosa’s illustrations perfectly capture Oliver’s exasperated parents, who are exhausted by the boy’s rejection of everything except for macaroni and cheese. The story will have readers realizing right alongside Oliver just how much fun there is in trying and doing new things. Text and illustrations are well balanced, never belaboring the message and letting Oliver’s experiences speak for themselves. Espinosa’s black-outlined illustrations capture the characters midmovement: Oliver biking through the house with one socked foot or sprinting naked through the front door. The story strikes just the right note of on-the-nose kid behavior and parent feelings with a hint of silly and a satisfying resolution. Oliver is tan-skinned, his parents are lighter-skinned, and Jess is brown-skinned. There are background characters of color. (This book was reviewed digitally.)
Say yes to each reread of this one. (Picture book. 3-6)Pub Date: May 16, 2023
ISBN: 978-0-593-30204-0
Page Count: 40
Publisher: Random House
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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