New and longtime Cronenberg fans will devour this intelligent, earnest, and comprehensive tribute.
This collection of essays, interviews, and short fiction explores the provocative themes and undeniable impact of a cult filmmaker.
David Cronenberg enthusiasts place his more popular movies, from Videodrome to The Fly, in the “body horror” subgenre. They’re perhaps best remembered for scenes of deliriously grotesque and fleshy metamorphoses. But this book’s editors, Kelso and Rice, spotlight seven early works from the Canadian writer/director—shorts, feature films, and episodes of TV anthology series from the 1960s and ’70s. A variety of contributors examine Cronenberg-ian themes, like “aberrant sexuality” and horror coming from within (without a tangible “external threat”), which run throughout the filmmaker’s oeuvre. Even without the visceral imagery, readers will easily see his distinctive tone and the abstract concepts he expresses physically (for example, telepaths in the film Stereo reaching elevated states of consciousness via “sexual experimentation”). Not surprisingly, linking so many of Cronenberg’s movies sparks many analyses of his later filmography as well, especially throughout the ’80s and ’90s. While much of the text dissects cinematic themes, the volume does touch on the auteur’s intriguing background as he began working in a subgenre that was relatively unknown in his home country. Elsewhere in this collection, writers deliver short fiction inspired by Cronenberg’s legacy or his early work. Matthew M. Bartlett’s “The Lie Chair,” for example, adapts a 1976 TV episode but adds a clever twist. Notwithstanding a potpourri of voices, the fictional stories boast a Cronenberg-ian flair. In Elle Nash’s incisive “artGOD,” she writes: “My toes graze the revolting flesh. / Her fist is a veiny organ.” The editors round out their book with illustrations by various artists as well as interviews with other filmmakers, novelists who have collaborated with Cronenberg, and the director himself, who’s as intriguing and indelible as the movies he’s bestowed upon the world.
New and longtime Cronenberg fans will devour this intelligent, earnest, and comprehensive tribute.Pub Date: June 30, 2022
ISBN: 978-1-948687-57-7
Page Count: 358
Publisher: 11:11 Press
Review Posted Online: June 13, 2022
Review Program: Kirkus Indie
PERSPECTIVES
PERSPECTIVES
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
An exquisitely original celebration of American Blackness.
A potent series of “notes” paints a multidimensional picture of Blackness in America.
Throughout the book, which mixes memoir, history, literary theory, and art, Sharpe—the chair of Black studies at York University in Toronto and author of the acclaimed book In the Wake: On Blackness and Being—writes about everything from her family history to the everyday trauma of American racism. Although most of the notes feature the author’s original writing, she also includes materials like photographs, copies of letters she received, responses to a Twitter-based crowdsourcing request, and definitions of terms collected from colleagues and friends (“preliminary entries toward a dictionary of untranslatable blackness”). These diverse pieces coalesce into a multifaceted examination of the ways in which the White gaze distorts Blackness and perpetuates racist violence. Sharpe’s critique is not limited to White individuals, however. She includes, for example, a disappointing encounter with a fellow Black female scholar as well as critical analysis of Barack Obama’s choice to sing “Amazing Grace” at the funeral of the Rev. Clementa Pinckney, who was killed in a hate crime at the Mother Emmanuel AME Church in Charleston, South Carolina. With distinct lyricism and a firm but tender tone, Sharpe executes every element of this book flawlessly. Most impressive is the collagelike structure, which seamlessly moves among an extraordinary variety of forms and topics. For example, a photograph of the author’s mother in a Halloween costume transitions easily into an introduction to Roland Barthes’ work Camera Lucida, which then connects just as smoothly to a memory of watching a White visitor struggle with the reality presented by the Legacy Museum in Montgomery, Alabama. “Something about this encounter, something about seeing her struggle…feels appropriate to the weight of this history,” writes the author. It is a testament to Sharpe’s artistry that this incredibly complex text flows so naturally.
An exquisitely original celebration of American Blackness.Pub Date: April 25, 2023
ISBN: 9780374604486
Page Count: 392
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 18, 2023
Kirkus Reviews Issue: Feb. 15, 2023
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
