An unexpectedly tender ode to passing one’s prime while also finding new joys in fostering next-generation talent.
An aging wrestler guides his young sister through the ups and downs of the dangerous sport.
“Man is meat.” So begins the saga of 26-year-old over-the-hill wrestler Domingo Contreras and his sister, Pilar, soon to be 18 and already eager to don the spandex and lace-ups. Koslowski gives equal attention to the bonds of their relationship and the culture of the industry. Pilar is ready to prove herself and commits her body and soul to the profession, enduring unspeakable punishment in so doing. “There was pain, and she didn’t care. She transformed it into adrenaline, focus, the drive to take on more.” Speaking to the novel’s esoteric title—“kayfabe [was] the closely guarded secret that wrestling was theater”—Koslowski’s story is not bashful about depicting the staged theatrics of professional wrestling. While it’s largely performance-based and dedicated to maintaining an illusion, it’s still a sport requiring great skill and athleticism, and a risky one at that: “A boxing ring could kill a wrestler, and the give of a wrestling canvas could snap untrained ligaments.” The pathos is aplenty, but never maudlin, as Dom reckons with his own physical deterioration while mentoring his young sister to take his place. “As if his oil tank had burned dry, Dom’s muscles seized, and he ground to a halt.” Though the novel could have been much shorter, there is a visceral, evocative energy to the descriptions that help it along: “The contortion was as elegant as ballet, as repugnant as torture porn.” Koslowski does a capable job of developing a convincing milieu and puts his characters through their paces with pitiless yet compassionate precision. This is a love letter to showmanship with enough high stakes, insider trivia, and personal struggle to make it enormously readable.
An unexpectedly tender ode to passing one’s prime while also finding new joys in fostering next-generation talent.Pub Date: Aug. 27, 2024
ISBN: 9781952119859
Page Count: 408
Publisher: McSweeney’s
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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