BLACK CARD

by Chris L. Terry ‧ RELEASE DATE: Aug. 13, 2019

A satire of American race relations and the performance of identity.

Terry (Zero Fade, 2013) tells the story of a nameless punk musician struggling with his own racial identity. After growing up in the mostly white suburbs of Washington, D.C., with his white mom and black father, the narrator moves with his family to a black community in Richmond, Virginia. The narrator's love of skateboarding, rock music, and his white mother make him feel like an outsider among black people. "I felt excluded from blackness," he recalls, "and like it was my fault that I couldn't fix it." His insecurities manifest in Lucius, a psychic projection of his self-consciousness that takes the form of a street-wise black man who takes it upon himself to teach our narrator how to be black. He gives the narrator his Black Card, which "entitles the brotha or sista who bears it to all black privileges, including but not limited to: Use of the n-word...and, most important, a healthy skepticism of white folks." It's proof that the narrator is really black—but it requires that the holder's authenticity be evaluated periodically. When a white friend's dad uses the n-word and the narrator says nothing in response, Lucius confiscates his Black Card for dereliction of duty. Our punk performs a series of stunts—like performing Run DMC to a roomful of white country music fans who are a bit too enthusiastic—to reclaim his blackness. Meanwhile, he develops a crush on his black co-worker Mona, with whom he can have less rigid conversations about blackness than those he has with Lucius. "There isn't one way to be black," she advises our narrator. But when he becomes implicated in a sexual assault, the narrator's freedom is threatened, and he confronts what it really means to be black in America. This is a funny novel with sharp insights into the constructed nature of racial identity. However, the plot is thin, the characters largely uninteresting, and the prose workmanlike. All that's left are the novel's ideas, which Terry repeats so often that they come to seem rather ham-fisted.

This is a funny novel whose insights are unfortunately too one-note to be illuminating.

Pub Date: Aug. 13, 2019

ISBN: 978-1-948226-26-4

Page Count: 272

Publisher: Catapult

Review Posted Online: June 16, 2019

Kirkus Reviews Issue: July 1, 2019

Categories:

LITERARY FICTION