by Chris Lynch ‧ RELEASE DATE: Oct. 30, 1996
The prospect of a blissful senior year darkens for a teenager when he's swept into the local political arena. With best bud Mosi, a one-man garage band, and Sweaty Betty, ``the most excellent girl since the beginning of girls,'' by his side, it looks like smooth sailing for Gordie—especially after Fins Foley, his ex-mayor grandpa, currently serving five-to-fifteen for racketeering, loans him a pristine 1963 Studebaker Gran Tourismo convertible. There's a price for those wheels: As a ploy to scare Fins's chosen successor back into line, Gordie enters the primary mayoral election. Hilarious complications ensue, as Gordie unwisely joins sleazy radio talk-jock Mad Matt Baker on the air, runs for senior class president, and sees his every ill-considered utterance instantly leaked to a rabid press. Beneath the belly-laughs and blipped one-liners, Lynch goes easy on his cast: The caricatures are relatively gentle; Gordie's friends may not be mental giants, but they are caring; and Gordie doesn't fumble the important passes. The mood becomes more earnest toward the end, as Gordie realizes that the campaign was just a way of easing Fins into retirement. The satire has a nip, but it's not as savage as Lynch's Blue-Eyed Son trilogy (Mick, 1996, etc.). (Fiction. 12-15)
Pub Date: Oct. 30, 1996
ISBN: 0-06-027360-7
Page Count: 168
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1996
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by Laura Resau ‧ RELEASE DATE: Sept. 12, 2006
When Clara Luna, 14, visits rural Mexico for the summer to visit the paternal grandparents she has never met, she cannot know her trip will involve an emotional and spiritual journey into her family’s past and a deep connection to a rich heritage of which she was barely aware. Long estranged from his parents, Clara’s father had entered the U.S. illegally years before, subsequently becoming a successful business owner who never spoke about what he left behind. Clara’s journey into her grandmother’s history (told in alternating chapters with Clara’s own first-person narrative) and her discovery that she, like her grandmother and ancestors, has a gift for healing, awakens her to the simple, mystical joys of a rural lifestyle she comes to love and wholly embrace. Painfully aware of not fitting into suburban teen life in her native Maryland, Clara awakens to feeling alive in Mexico and realizes a sweet first love with Pedro, a charming goat herder. Beautifully written, this is filled with evocative language that is rich in imagery and nuance and speaks to the connections that bind us all. Add a thrilling adventure and all the makings of an entrancing read are here. (glossaries) (Fiction. 12-14)
Pub Date: Sept. 12, 2006
ISBN: 0-385-73343-7
Page Count: 272
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2006
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by Nikki Grimes ‧ RELEASE DATE: Jan. 1, 2001
At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in...
This is almost like a play for 18 voices, as Grimes (Stepping Out with Grandma Mac, not reviewed, etc.) moves her narration among a group of high school students in the Bronx.
The English teacher, Mr. Ward, accepts a set of poems from Wesley, his response to a month of reading poetry from the Harlem Renaissance. Soon there’s an open-mike poetry reading, sponsored by Mr. Ward, every month, and then later, every week. The chapters in the students’ voices alternate with the poems read by that student, defiant, shy, terrified. All of them, black, Latino, white, male, and female, talk about the unease and alienation endemic to their ages, and they do it in fresh and appealing voices. Among them: Janelle, who is tired of being called fat; Leslie, who finds friendship in another who has lost her mom; Diondra, who hides her art from her father; Tyrone, who has faith in words and in his “moms”; Devon, whose love for books and jazz gets jeers. Beyond those capsules are rich and complex teens, and their tentative reaching out to each other increases as through the poems they also find more of themselves. Steve writes: “But hey! Joy / is not a crime, though / some people / make it seem so.”
At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in the poetry. (Fiction. 12-15)Pub Date: Jan. 1, 2001
ISBN: 0-8037-2569-8
Page Count: 176
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2001
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