by Chris Miller ‧ RELEASE DATE: Nov. 1, 2006
A boozy holler of a book, with a great soundtrack.
The Dartmouth frat escapades of the National Lampoon writer whose experiences inspired the film Animal House.
The Alpha Delta Phi house at Dartmouth was called “Animal House” for a number of reasons, the most famous of which involved some members who were haplessly chasing a chicken around the yard (eager to kill it for dinner), only to be brought up short when an upperclassman (known as “The Man”) plugged the chicken with a .45 slug from his upstairs room. Unfortunately for readers of Miller's biography about his sophomore Dartmouth year in 1960 at the AD house, nothing quite that eventful happens—it's action-packed but mostly of the binge-drinking, puking, pissing and trying-to-get-laid variety. Miller was a smart-ass gentile from the Long Island suburbs with a yen for girls, obscure rock 45s and Yiddish slang who found himself at home with the ADs, who treasured drinking and the bestowing of nicknames (Miller's is “Pinto”). The author writes that what “cartoon characters and AD brothers had in common was their exuberance,” a truism he proves time and again throughout these raucous, bleary pages where schoolwork is but a vague concern and the unceasing bacchanal is everything. Written in a juvenile, slangy rush, Miller's book has energy to spare. The stories are related mostly in streams of obscene dialogue and are focused on activities centered either immediately above or below the waist. There's a time limit on such behavior, of course, given the ADs' “amused cynicism about all human activity [and] Dadaistic displays of sociopathic behavior in public spaces,” and the attraction begins to pall at about the halfway point, not long after Miller/Pinto starts referring to himself in the third person. For Animal House completists, be assured, one can find here most of the film's raw elements, from the road trip, the band playing “Shout!” and even the Dean's decision to put the house on an unprecedented “triple warning.”
A boozy holler of a book, with a great soundtrack.Pub Date: Nov. 1, 2006
ISBN: 0-316-05701-0
Page Count: 272
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2006
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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