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MY FATHER, THE PORNOGRAPHER

A MEMOIR

Though his relationship with his father was distant, melancholic, and precarious, Offutt quite movingly weaves his personal...

A fond memoir of life with a prolific writer of science fiction and pornography.

Screenwriter (True Blood, Weeds) and essayist Offutt (No Heroes: A Memoir of Coming Home, 2002, etc.) describes his father, Andrew, as “fiercely self-reliant, a dark genius, cruel, selfish, and eternally optimistic.” In the opening chapters, the author charts his father’s declining health and grave prognosis from alcohol-induced cirrhosis, which spurred the author to return home to Kentucky in the midst of his own divorce. Offutt delves deep into his father’s history as a former traveling salesman who carted his family around to sci-fi conventions and who harbored a temperamental persona with a penchant for creating alter egos. Beginning with an Old West novel written when he was just 12, Andrew was in many ways “an old-school pulp writer” whose early novels, penned in the hushed privacy of a locked home office and often under pseudonyms, helped finance Offutt’s desperately needed orthodontia. Upon his death in 2013, the mother lode of his father’s squirreled away gemstones, coins, and assorted clutter was unearthed, but it was the 1,800 pounds of manuscripts and papers bequeathed to Offutt that exposed Andrew’s true nature and later career as a “workhorse in the field of written pornography.” The author’s father produced an incredibly imaginative oeuvre of hard-core graphic erotica, from ghost porn to inquisition torture, incrementally (and chillingly) escalating in violence against women as time went on—something Andrew believed prevented him from becoming a serial killer. Admitting to his mother that his “Dad was the most interesting character I’ve ever met” speaks volumes about not only the kind of father Andrew was to his son, but also the kind of son Offutt became because of (and in spite of) the things he’d been taught.

Though his relationship with his father was distant, melancholic, and precarious, Offutt quite movingly weaves his personal history into a fascinating tapestry of a compulsive writer with a knack for the naughty.

Pub Date: Feb. 9, 2016

ISBN: 978-1501112461

Page Count: 272

Publisher: Atria

Review Posted Online: Nov. 18, 2015

Kirkus Reviews Issue: Dec. 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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