Rural crime fiction that kicks like a mule.
Acclaimed Kentucky writer Offutt follows Country Dark (2018) with another fine example of what might be called holler noir.
Mick Hardin is a military homicide investigator who's temporarily AWOL, back in eastern Kentucky to sort things out with his pregnant wife, from whom he's estranged. He's holed up in his grandfather's remote cabin, drinking himself into a stupor, when his sister—the county's newly appointed sheriff, under pressure from several directions—shows up to enlist his help. An old man hunting ginseng has discovered a body up in the hills, and Linda Hardin needs the case solved, quickly and discreetly. This book looks like a standard thriller. It hits the genre's marks: a Chapter 1 corpse, a hard-drinking knight errant of a detective, etc. Ultimately, though, Offutt's primary emphasis—and the book's—falls less on the title's central word than on its final one. The star is rural Kentucky. Mick knows the land and its flora; knows the clannish, laconic, battle-scarred, loyal, often mistrustful people who live here. The book's triumph is that Offutt understands the difference between local color—which would be mere decoration—and local knowledge, which turns out to be the crucial advantage Mick has in unraveling the case (and humiliating hired guns from outside). Mick knows how to read the landscape, how to win the trust of those he needs to talk to (at one point he works a neat trick in replacing a mule that was serving as a temporary roof support), how to negotiate the blood oaths and rules of family vengeance that obtain in such places. The murder plot ends up being nearly secondary, but that's not to the novel's disadvantage: In place of plot convolutions, Offutt offers those of Appalachian folkways. The result is a fast-paced, satisfying read.
Rural crime fiction that kicks like a mule.Pub Date: June 15, 2021
ISBN: 978-0-8021-5841-3
Page Count: 240
Publisher: Grove
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
Perhaps the single most striking feature of this latest dose of intrigue is that its title is intended to be taken literally.
The eternal jostling for power in Rome and the Vatican is juiced by a development that attracts the attention of the Magellan Billet and its foremost alumnus, Cotton Malone.
Eric Gaetano Casaburi, secretary of Italy’s National Freedom Party, anticipates a decisive victory for the party if Sergio Cardinal Ascolani, the Vatican’s secretary of state, will lend his full-throated support. Of course, the Church isn’t supposed to meddle in contemporary politics, but Eric makes an offer he doesn’t think Ascolani can refuse. Five hundred years ago, Giuliano di Lorenzo de’ Medici loaned Pope Julius II ten million florins the Church never repaid. That debt is still legally payable to anyone who proves to be a surviving member of the Medici family, and Eric believes he can prove exactly that. Although Malone, called in to investigate the bona fides of Ascolani’s enemy Jason Cardinal Richter, has already found a fortune hidden in Richter’s apartment, Richter swears that he’s being framed, and the violent deaths of three anonymous functionaries seem to bear him out. So, Malone forges a series of alliances with Richter, with wealthy businesswoman Camilla Baines, and ultimately with an even more surprising party to prevent Ascolani and Thomas Dewberry, a hired assassin who’s both a sociopath and a devout Catholic, from swaying the upcoming election in return for Eric’s forgiving the ancient debt. An extended closing note shows how inventively Berry mingled history and fiction to weave this tangled web. Readers invested in learning more about the Medicis can be assured that the brief glimpse of them in a prologue set in 1512 is only the beginning.
Perhaps the single most striking feature of this latest dose of intrigue is that its title is intended to be taken literally.Pub Date: Feb. 11, 2025
ISBN: 9781538770566
Page Count: 416
Publisher: Grand Central Publishing
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
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